SpokenWord open mic every Monday until end of July, AWOL Writers’ Group every Sunday

This info last updated 29th June 2018. 

SpokenWord Paris is one pole of a nomadic tribe of people who love poetry, writing and song. A home for creatives and lost anglophones. We do an open mic night called SpokenWord every Monday at the Chat Noir and an allied writers’ workshop at Shakespeare & Company (every Sunday.) We do a literary journal called The Bastille and Tightrope Books published many of us in the book “Strangers in Paris.” Click on the blue stamp on the right to sign up to the mailing list.

Open mic/scène ouverte: Performance poetry. Lire vivant. Poésie sonore. Stand up. Monologue. Stories. Beat poetry. Spoken word. English. Français. Your own original texts. Old texts from Rimbaud to Dr Seuss, Beowulf to Gil Scott-Heron. Chacun a son mot à dire. Make the words come alive…………………….. Acoustic songs also welcome.

SpokenWord Sounds
A taste of Monday nights at the Chat Noir, by Victor. Listen or download here.

SpokenWord
Every Monday except August. Come to the Chat Noir, 76 rue Jean-Pierre Timbaud 75011. Métro Parmentier/Couronnes. Sign up 8pm to 9.30pm in the bar. Poetics start from 8.30pm underground. Check out the Practical info page for more info. Paris’ biggest and longest-running English open mic night, started in 2006. All languages welcome. Free entry. Exit one euro.

Themes
Check next week’s theme here

AWOL Writers’ Group – free!
6.30pm-8.30pm every Sunday at Shakespeare & Company, 37 rue de la Bûcherie, 75005. Free. Bring your writing or just come and listen join the discussion. Hosted by Bruce Sherfield and Simon Millward. Description Join us afterwards for a drink.

Chat Noir sketch drawn by Allison Iwata.

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Didier Cornevin to Guest at SpokenWord Paris July 16th–Monday’s Theme: French Poetry, Love and Journey

Didier CornevinI have always been passionate about literature and rock music. Before living near Paris, I was living in the south of France near Toulon by the sea. Why Toulon ? My father was in the Navy.  Provence, the cicadas, the pines what a beautiful region. When my parents left Toulon, along with the sun and the sea, we came to settle in a small village in the countryside near Versailles. Instead of giving up my passions they remained in the depths of my heart. I discovered French poetry Baudelaire, Never again will this poet leave me. I decided to learn to play the guitar and immortalize my favorite French poets–Verlaine, Rimbaud, Prévert– by putting their poems to  music .Today I continue my passion. I feel i have a mission vis-à-vis the people who are not of French nationality
and have not mastered the French language. I , myself, continue to be fascinated by French poets and so I try  to communicate to foreigners the love I have for these great men of poetry. Even if people do not understand the language, itself, I try to touch them– their sensitivity– and allow them to discover the beautiful sounds of the French language.

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Spoken word poetry is my passion – David Barnes

I’m a psychotherapist by day and a poet by night, and spoken word poetry is my passion. Both for the words and for the power of a performance that reaches out from the stage and touches your soul.

The world seemed drab and dismal, back in the day, so I set off wandering around Europe, high on Kerouac’s promise of meeting life on the road… My head too full of George Orwell, down and out in Paris and London, of Laurie Lee, who walked out one midsummer morning, of Christopher McCandless who wandered into the wild and never came back. Of Arthur Rimbaud in his season in Hell and Allen Ginsberg’s 1950s angelheaded hipsters burning for the ancient heavnely connection to the starry dynamo in the machinery of night…

I stumbled into Paris, expecting to get itchy feet in a few months. At least I knew a few words of this language. I slept in the Russian section at Shakespeare and Company and my best friend was a Moldovan folk musician who’d hitched around Europe with his cello on his back. And for the first time in my life I met people infected with the same madness – the conviction that nothing really mattered except the music of the words, the writing, books…

I started reading my free verse at open mic music nights between the songs. Soon a handful of us were doing it. And upstairs in the bookshop itself, in George Whitman’s twilight when an old British radio journalist, John Kirby Abrahams, ran a dying and neglected reading series.

I checked out The Live Poets Society at The Highlander (”The Live Poets Societ does not exist…”) but was too scared to ask to read, I didn’t think I was good enough. I went to French slam nights, but no one could understand my poems.

So, just because no other bugger was doing it, I started the only Paris open mic poetry night in English, and it’s still running more than a decade later. This is SpokenWord Paris. Where so much of the current Paris anglo-poetry scene has grown from.

Why? Because I wanted to share my words. And because I wanted to hear others’ words. Because, one of the first times I read, someone handed me a note saying ”This is what I came to Paris for.” (Unknown stranger, if you had not done this, would any of the rest have happened..?)

Why? Because of the poems I loved when I was growing up in England. Because at school we were poets at the age of 7. Because you have to follow the call when you hear it, when something calls you by your name, your secret name…

Because writing is lonely and I needed to be heard…

Because home is folk who share your craziness…

Because no other bugger was doing an open mic poetry night in English. And because I discovered that if you pour your passion into something, people respond…

So here is one of those early poems from back in the day, in Paris. It seems weirdly prophetic now.

ink is blood

ink is blood that courses through the arteries of the mind
containing all colours within its darkness
flowing in search of light and release
to the rhythmic pulse of the heart

words are shorthand for experience and imagination
a currency of vision and desire exchanged without loss

words are the seed crystals that drop into the jar that contains the soul
and expand into fractal mosaics

they are lights in the dark

syllables that touch off recollection of other voices
that re-ignite un-memories in the inaccessible corners of the heart

when I was born I drank a cup of black ink and now I bleed words
my mind is full of words and photographs of unreality
and I can see there is a wall of water coming
I know it by the pressure in my ears
by the sound of the shore
by the harmonic vibration of every water molecule in every cell of my body
in sympathetic echo
there is a wall of water coming and it will break in the mind
these tears that trace the outline of my face
are only the first brimming over of the flood
the false breaking before the wave comes.

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Announcement

Our new call for submissions for the next Bastille magazine will be made tonight 2nd July 2018 at SpokenWord!

More info here soon.

Deadline midnight 31st July

 

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Ben Aleshire to Guest at SpokenWord Paris July 2nd–Monday’s Theme: Travel Stories

Benjamin Aleshire, poet for hireBenjamin Aleshire is based in New Orleans, and travels the world as a poet-for-hire, composing poems for strangers on a manual typewriter in the street. His work has appeared recently in Iowa Review, Boston Review, El Mundo (Spain), NEON (Germany), Havana Times (Cuba) and on SinoVision TV (China). His artist-book of visual poems, Currency, is now in its second edition, and he recently released an audio-chapbook of poems with sound collage. Ben serves as assistant poetry editor to the Green Mountains Review, and has received awards from the Vermont Arts Council, the Breadloaf Writers’ Conference, and the University of New Orleans.

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Kathleen Spivack to Guest at SpokenWord Paris June 25th–Monday’s Theme: The Other

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Kathleen Spivack is an award winning poet, novelist and essayist. (She is also a friend to many a writer, imparting both guidance and undying support–My words)  Her newest book is the novel Unspeakable Things (Alfred A. Knopf, 2016). The book centers on European refugees in New York City struggling to survive during the last year of the second World War. Her earlier book, With Robert Lowell and His Circle (2012), a memoir, was published by the University Press of New England. A History of Yearning (2010) won the Sow’s Ear International Poetry Chapbook Prize and also won first prize in the poetry book category at the London Book Festival. Recent poems have won first prizes including the Allen Ginsberg Memorial Poetry Award and the New England Poetry Club’s Erika Mumford Prize. She has also won several Solas International Best Essay awards. Residencies include the Radcliffe Institute, Yaddo, The MacDowell Colony and the American Academy in Rome. Fellowships include grants from the National Endowment for the Arts and the Fulbright Commission. She teaches in Boston and Paris.

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Bruce Edward Sherfield to Guest at SpokenWord Paris June 18th–Monday’s Theme: Essence / Scent

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Bruce  has always considered himself an unidentified flying artist, dividing his career between dance, acting, songwriting, rap, composing, collage, voiceover, and his biggest passion: the written word. ” I have a BFA(Biggest Fluke of ALL?) from the University of Florida in collage, painting and performance”.  He’s done the music thing with bands like Spontane, Versus and Sophia Lorenians, at many festivals all over the world.3-time co-editor/designer of the Bastille Lit Magazine of SpokenWord Paris, and co-host of a weekly writing workshop at Shakespeare & Co. since 2011. Now known as AWOL.In 2015, he taught poetry/slam/hip-hop to young writers for the US Embassies in the Congo, Senegal and Niger. In 2016, he was invited to Conques to give an art-therapy workshop against the trauma of torture. In 2017, He starred, wrote and directed his first sci-fi cartoon, Kabuki Zamboni.  He collects typewriters and donates them to kids and writers.Tonight, he will be presenting the second (hand-cut, hand stamped, handmade in 5 hours) book in his Wifty-Fun series, called Another Son’s Treasure, ”100 memories picked from the trash of this, my mother’s passing”.

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Hassan Melehy to Guest at SpokenWord Paris June 11th–Monday’s Theme: Migration

hassan-headshot-2 (1)  Originally from New England, Hassan Melehy lived all over the United States before settling in North Carolina in 2004. His poems have appeared in The Hat, nthposition, Borderlands, and Redheaded Stepchild, among other journals. His first collection, A Modest Apocalypse, was published by Eyewear in 2017. His verse is eclectic but owes more to experimental practices, from the sixteenth century to the present, than anything. The son of immigrants, one from western Europe and the other from the Middle East, he sometimes writes about his experiences as a second-generation American. In addition to his creative writing he has written three books of literary criticism, most recently Kerouac: Language, Poetics, and Territory (Bloomsbury, 2016). He lives in Chapel Hill, NC with his wife, Dorothea Heitsch, and teaches French and Comparative Literature at UNC.

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Mia Funk to Guest at SpokenWord Paris June 4th–Monday’s Theme: Memory

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Mia Funk – artist, writer, interviewer and founder of The Creative Process traveling exhibition and international educational initiative(Please link to: www.creativeprocess.info)  Mia’s portraits of writers and artists appear in many public collections, including the U.S. Library of Congress, Dublin Writers Museum, Office of Public Works, American Writers Museum (forthcoming), and other museums and culture centers. Funk has received many awards and honors, including the Prix de Peinture from the Salon d’Automne de Paris and has exhibited at the Grand Palais, Paris. She was commissioned by the Guinness Cork Jazz Festival to paint their 30th-anniversary commemorative painting of over 20 jazz legends. Her paintings of Francis Bacon and Lucian Freud won the Thames & Hudson Pictureworks Prize and were exhibited in Brussels for Bacon’s centenary, in Paris at the American University, as well as international arts festivals in Europe. As a writer and interviewer, contributes to various national publications. She served on the National Advisory Council of the American Writers Museum 2016-17. The Creative Process traveling exhibition is being held at leading universities, museums, culture centers around the world.

 

 

 

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Janine Booth and Zachary Coffin to Guest at SpokenWord Paris, May 28th! Monday’s Theme: Passion / Compassion

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Janine Booth is a Marxist motormouth, who is in the second half of her poetry adventure having ranted in the 1980s and recomposed in 2014. She writes and performs poems funny and serious, formal and random. Janine’s poems have been published in numerous mags and anthologies, and in four of her own little books. Check out her website:  http://www. janinebooth.com/

Zachary Coffin (in his own words) is an unsuccessful writer and mediocre actor, somewhat known as that #EvilWhiteGuy in Bollywood.  He graduated from fancy schools with legendary teachers, and lives in their shadows, still learning.  He’s from California and has worked in 30 countries; but Mumbai meri jaan. Zack’s mother performs at SpokenWord Paris; he thought it might delight her if he did, too. http://www.youtube.com/ZacharyCoffinPage; http://www.imdb.me/ZacharyCoffin

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Adeena Karasick to Guest at SpokenWord Paris May 21st–Monday’s Theme: Language

We Sell no SellAdeena Karasick is a New York based Canadian poet, performer, cultural theorist and media artist and the author of eight books of poetry and poetics. Her Kabbalistically inflected, urban, Jewish feminist mashups have been described as “electricity in language” (Nicole Brossard), “proto-ecstatic jet-propulsive word torsion” (George Quasha), noted for their “cross-fertilization of punning and knowing, theatre and theory” (Charles Bernstein) “a twined virtuosity of mind and ear which leaves the reader deliciously lost in Karasick’s signature ‘syllabic labyrinth’” (Craig Dworkin); “one long dithyramb of desire, a seven-veiled dance of seduction that celebrates the tangles, convolutions, and ecstacies of unbridled sexuality… demonstrating how desire flows through language, an unstoppable flood of allusion (both literary and pop-cultural), word-play, and extravagant and outrageous sound-work.” (Mark Scroggins). Most recently is Checking In (Talonbooks, 2018) and Salomé: Woman of Valor (University of Padova Press, Italy, 2017), the libretto for her Spoken Word opera co-created with Grammy award winning composer, Sir Frank London. She teaches Literature and Critical Theory for the Humanities and Media Studies Dept. at Pratt Institute, is Poetry Editor for Explorations in Media Ecology, 2018 Andrew W. Mellon Foundation Award recipient and winner of the 2016 Voce Donna Italia award for her contributions to feminist thinking. The “Adeena Karasick Archive” is established at Special Collections, Simon Fraser University.

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