No Tell Motel – Monday/lundi 19th May

In English…
Spoken Word and The Bedside Guide to No Tell Motel Second Floor anthology invite you to a poetry reading from the anthology followed by an open mic on the theme of Eros, desire, sex & sensuality.
Monday, May 19th 8pm downstairs at the Highlander, 8, rue de Nevers, (southwest of Pont Neuf) Métro Saint Michel ou Pont Neuf.
En français…
Spoken Word et l’anthologie ”The Bedside Guide to No Tell Motel Second Floor” vous invitent au soirée de poésie commençant par un lecture de textes de l’anthologie par les poètes eux-mêmes, en anglais, suivi par un scène ouvert sur le thème de Éros, désir, sexe et sensualité.
Lundi, 19 mai 20h au cave à The Highlander, 8, rue de Nevers, Métro Saint Michel ou Pont Neuf.

When?Quand?
20h00 No Tell Motel anthology Readings by the poets (in English)/Lecture par les poètes de l’anthologie en anglais
21h00 Open mic/scène ouvert (bilangue anglais-français)
(17h-20h Happy Hour: come early and have a drink with the No Tell Motel poets)
More info:
A double-bill poetry reading to celebrate spring, agape, and eros featuring poets Evie Shockley, Jill Alexander Essbaum, Lea Graham, and Timothy Bradford from The Bedside Guide to No Tell Motel, Second Floor anthology (No Tell Books, 2007) followed by an open mic with David Barnes and the Spoken Word reading series. The Bedside Guide to No Tell Motel, Second Floor, edited by Reb Livingston and Molly Arden from poems that appeared on their on-line journal No Tell Motel http://www.notellmotel.org/, explores the multi-faceted aspects of desire, love, sex, and sensuality. The anthology and No Tell Books can be found at <http://www.notellbooks.org/individual_title.php?id=40_0_1_0_C>. A link to the anthology at Lulu, which offers an online preview, can be found at <http://www.lulu.com/content/1191170>. BIOS: * Evie Shockley is the author of two poetry collections: The Gorgon Goddess (2001) and a half-red sea (2006), both with Carolina Wren Press. A Cave Canem fellow and the recipient of a residency at Hedgebrook retreat center for women writers, Shockley teaches African American literature and creative writing at Rutgers University, New Brunswick. * Jill Alexander Essbaum’s first book, Heaven, won the 1999 Bakeless Prize. Her second book, Oh Forbidden, is a collection of erotic sonnets (Pecan Grove Press). Her latest book, Harlot, is available from No Tell Books. A fourth book, Necropolis, (neoNuma Arts), is forthcoming in spring 2008. She splits her time between Zürich, Switzerland, and the States.* Lea Graham’s work has appeared or is forthcoming in the Notre Dame Review, American Letters & Commentary, Mudlark, Shadow Train, and The Worcester Review. Her chapbook, Calendar Girls, was published in the spring of 2006 by above/ground Press in Ottawa. She is currently an Assistant Professor of English at Marist College in Poughkeepsie, New York. * Timothy Bradford’s poetry has appeared in Bombay Gin, CrossConnect, DIAGRAM, H_NGM_N, Mudlark, No Tell Motel, and Runes, among other journals. Currently, he is an associate foreign researcher with the Institut d’Histoire du Temps Présent as he finishes researching and writing a novel based on the history of the Vélodrome d’Hiver. AT: The Highlander, 8 rue de Nevers, just southwest of the Pont Neuf, 75006, Metro St-Michel. (Happy hour from 5-8. Come early and have a glass with us.)
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Report from 23rd April

Photos: Colin, Thérèse, Joy… crazy guy & poet (help me out – identify yourselves)



The City
Anne gave us Kabul. Charlie had seen it all before, a case of Déjà Vu. Giémo took us to meet La Ville Amante, à la fois proche et absente and introduced us to Denise, the richest SDF in Paris. Didier invoked Alfred de Mussy. Thérèse had lunch at the McDo de Bobigny (qui vous dit merci) and rescued a crab in destin de crabbe. Colin wasn’t there, he was in Seville. Bex begged to differ, arguing people are everything, it’s never the place. Donald headed off drunkenly to The Crimson City of the North. Conor gave him increasingly frantic misdirections – just drive through the hospital and up the traffic lights. Alex’ ghosts were on a countdown to death. Robert Teetsov sang and Chris Fowle was filled with foreboding. An anglicized Colin took the Last train to Barnsley. Marco Polo and Ghenghis Khan showed up, discoverer and collector of Italo Calvino’s Invisible Cities. Erica sang form the point of view of Achilles, all dipped in glory except for the heel. Alexa left on the underground train, observing that the metroline you take is obviously the one that is going to fuck up most. Charlie got up shot. Ben Slatky did Shaunessey’s Over the Moon. Conor threw canibal ink into the night sky. And I slowly turned 37.
Lots more people did stuff, too numerous to mention. And there were so many people they were backed up the stairs in the first half.
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Deadlined…


So much going on I’ve had no time to report about the last 2 Spoken Words – lots of good stuff lined up to put here when I have time though. Next Spoken Word is 9pm Tuesday 13th May at L’Ogre a Plumes, theme to be confirmed. (Please email me suggestions!)

And in the mean time Spoken Word regulars Erica & Stefanos are doing a free concert at the Pop In 9pm this Wednesday (7th May); Erica was also briefly mentioned in Telerama and her myspace is:

http://www.myspace.com/ericabuettner

The Pop In

105 rue Amelot
75011, Paris
Entree libre/ Free!
Metro Saint Sebastien Froissart

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The Great Lurch Forward…





Would you take a train with this man? Not bleedin’ likely…

Followed by Elena, Pauline, Donald and a very Satanic looking Antonio… the Devil’s Undertaker.
Thanks to Dominic for the title and half the photos.
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Undertakers' convention… at the Extra Old Cafe after disembarking





Bex gets my vote for “Most likely to be in A Clockwork Orange.”

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The Great Lurch Forward… photos 1




Seldon, Pauline, Raskolnikov, the Eiffel Tower, Neil, and Raskolnikov again, escaped from a Dostoyevski novel…

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Slough by John Betjeman

I grew up near Slough and Maidenhead. Even The Lonely Planet’s guidebook to England tells you “Don’t go there.” I’m with Betjeman. Note he wrote this just prior to World War Two.

Come, friendly bombs, and fall on Slough
It isn’t fit for humans now,
There isn’t grass to graze a cow
Swarm over, Death!

Come, bombs, and blow to smithereens
Those air-conditioned, bright canteens,
Tinned fruit, tinned meat, tinned milk, tinned beans
Tinned minds, tinned breath.

Mess up the mess they call a town —
A house for ninety-seven down
And once a week for half-a-crown
For twenty years,

And get that man with double chin
Who’ll always cheat and always win,
Who washes his repulsive skin
In women’s tears,

And smash his desk of polished oak
And smash his hands so used to stroke
And stop his boring dirty joke
And make him yell.

But spare the bald young clerks who add
The profits of the stinking cad;
It’s not their fault that they are mad,
They’ve tasted Hell.

It’s not their fault they do not know
The birdsong from the radio,
It’s not their fault they often go
To Maidenhead

And talk of sports and makes of cars
In various bogus Tudor bars
And daren’t look up and see the stars
But belch instead.

In labour-saving homes, with care
Their wives frizz out peroxide hair
And dry it in synthetic air
And paint their nails.

Come, friendly bombs, and fall on Slough
To get it ready for the plough.
The cabbages are coming now;
The earth exhales.

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Night Mail by W.H.Auden

http://www.youtube.com/watch?v=Gmq6mFAEqNQ

3 extracts:

This is the Night Mail crossing the border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner and the girl next door.
Pulling up Beattock, a steady climb:
The gradient’s against her, but she’s on time.
Past cotton-grass and moorland boulder
Shovelling white steam over her shoulder,
Snorting noisily as she passes
Silent miles of wind-bent grasses.
Birds turn their heads as she approaches,
Stare from the bushes at her blank-faced coaches.
Sheep-dogs cannot turn her course;
They slumber on with paws across.
In the farm she passes no one wakes,
But a jug in the bedroom gently shakes.

Letters of thanks, letters from banks,
Letters of joy from the girl and the boy,
Receipted bills and invitations
To inspect new stock or visit relations,
And applications for situations
And timid lovers’ declarations
And gossip, gossip from all the nations,
News circumstantial, news financial,
Letters with holiday snaps to enlarge in,
Letters with faces scrawled in the margin,
Letters from uncles, cousins, and aunts,
Letters to Scotland from the South of France,
Letters of condolence to Highlands and Lowlands
Notes from overseas to Hebrides
Written on paper of every hue,
The pink, the violet, the white and the blue,
The chatty, the catty, the boring, adoring,
The cold and official and the heart’s outpouring,
Clever, stupid, short and long,
The typed and the printed and the spelt all wrong.

And shall wake soon and long for letters,
And none will hear the postman’s knock
Without a quickening of the heart,
For who can bear to feel himself forgotten?

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William Topaz McGonagall

Poet and tragedian of Dundee, has been widely hailed as the writer of the worst poetry in the English language… A self-educated hand loom weaver from Dundee, he discovered his discordant muse in 1877 and embarked upon a 25 year career as a working poet, delighting and appalling audiences across Scotland and beyond.
I nicked this from http://www.mcgonagall-online.org.uk/

The Tay Bridge Disaster

Beautiful Railway Bridge of the Silv’ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.
‘Twas about seven o’clock at night,
And the wind it blew with all its might,
And the rain came pouring down,
And the dark clouds seem’d to frown,
And the Demon of the air seem’d to say-
“I’ll blow down the Bridge of Tay.”
When the train left Edinburgh
The passengers’ hearts were light and felt no sorrow,
But Boreas blew a terrific gale,
Which made their hearts for to quail,
And many of the passengers with fear did say-
“I hope God will send us safe across the Bridge of Tay.”
But when the train came near to Wormit Bay,
Boreas he did loud and angry bray,
And shook the central girders of the Bridge of Tay
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.
So the train sped on with all its might,
And Bonnie Dundee soon hove in sight,
And the passengers’ hearts felt light,
Thinking they would enjoy themselves on the New Year,
With their friends at home they lov’d most dear,
And wish them all a happy New Year.
So the train mov’d slowly along the Bridge of Tay,
Until it was about midway,
Then the central girders with a crash gave way,
And down went the train and passengers into the Tay!
The Storm Fiend did loudly bray,
Because ninety lives had been taken away,
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.

There’s a lot more, believe me.

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The Great Lurch Forward

There were no flies on Frank. Pulled out of Nation just after 9 as I read The Tay Bridge Disaster, by the poet “widely hailed as the writer of the worst poetry in the English language,” William Topaz McGonagall. (Topaz????) Donald was on the night train. Wanda sang. Elena did Le releve du monde and cooked us up L’oeuf metaphysique. In Spanish, the next station was hope. Alexa laughed at passers by’s I’m-going-to-Hell-judgement. Dominic Ambrose read an extract from his book The Shriek and Rattle of Trains. Bex’s nature and machine exist together. Chai! Chai! in Nine and half hours to Hampi. Thank God I’m not blonde. Thomas woke up red-eyed, read his Metro Love Letter, declared the metro is the place we all know each other by smell, each guessing the other’s intention. Neil & his guitar heard that train a-coming, coming down the tracks. But then he’s a Molotov cocktail, baby I’m an anarchist. Seldon was I, racing to trains West. Nila asked why is it that when you see someone that’s interesting to you on the metro, why is it rude to look at them? Then she analysed his face. Donald reminded us that Paris a oublié que il était bâtard. À nous, Paris, declared Alexa, à nous des bottes à 2.000 euros. Bex was inspired by an earlier Spoken Word, inspired but she was tired. She wanted a poet, who just might (lick behind her ears.) Frank where are you? There were no flies on Frank, according to the ghost of John Lennon. Other people did stuff too. I insulted Slough and rolled out some boxcars boxcars boxcars from Ginsberg’s Howl. The Eiffel Tower glittered. We rolled around Etoile and headed back to Nation where we disembarked and went for a drink at The Extra Old Cafe. No arrests! No fights with buskers! Applause and general appreciation from metronauts (once they realized we weren’t asking for money and relaxed…). Only one phone call the next day from poets who missed the train and headed round the whole circuit of the line 6 on their own.
The Shriek and Rattle of Trains, by Dominic, details here:
Lines from Howl:
who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine until the noise of wheels and children brought them down shuddering mouth-wracked and battered bleak of brain all drained of brilliance in the drear light of Zoo,
who sang out of their windows in despair, fell out of the subway window, jumped in the filthy Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot smashed phonograph records of nostalgic European 1930s German jazz finished the whiskey and threw up groaning into the bloody toilet, moans in their ears and the blast of colossal steamwhistles,
who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish…
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