The calm before the songs..

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Light breaks through the sole window in Stephanos' cell.

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Maxime doing an intense bit of Aleister Crowley which unfortunately lost me in a tangle of obscure gods. Very intense though.

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Once upon a time…/Cinderella and the big bad wolf (by Alexa)

You beautiful tattooed bastard
The moment we met –bam!– couldn’t stop thinking of you
Damned if I did, damned if I didn’t…round and round it went in my head
Couldn’t decide better–with or without?
Going that extra mile
To your house
In the snow

This Cinderella’s coach was a big shiny Harley
Prince Charming and me rode all night
Up and down the long wet highway
Going “oui… oui… OUI!!!”
all the way home

Cinderella turned big bad wolf when the fences went down
I blew and I blew–but I couldn’t make your house come
down
when all the fences came down new fences came up
the longer I stayed the more your ego filled the room
up
suffocating me
I killed a fantasy

(Shoulda stayed home…)

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Interesting Times for Generation Zed by David Barnes

These are interesting times for generation Z
Descending to the Underground
You pick up what is said
There’s a tension in the news today
That’ll tear your nerves to shreds
As the suicides all take their seats
Seven bullets to the head

These are interesting times for generation Z
The skies are full of aeroplanes
Screaming overhead
Scattering plutonium
More poisonous than lead
I know they’re bombing someone
Terrorists, they said

These are interesting times for generation Z
This spaceship Earth is ticking
Like a timebomb in my head
We’re dictated to by autocue
And we take it all as read
We’re eating glass and anthrax
Like we eat the lies we’re fed

These are interesting times for generation Z
Four horsemen were approaching
And this is what they said:
“It only costs indifference
So despair and turn your head
Distract yourself with toys and games
While the sun sets bloody red
And if what you see offends you,
Put out your eyes instead.”

These are interesting times for generation Z
So dream on televisionaries
And follow where you’re led
Stuff yourself with prozac
Til you can’t climb out of bed
Buy yourself an alibi
And join the walking dead

This poem was partly inspired by the climate of fear parts of the press and the UK government seemed keen to promote after the London bombs two years ago, as well as the Iraq war. The seven bullets to the head is a reference to the shooting of the entirely innocent Jean Charles de Menezes by police, while being restrained so that he couldn’t move. At the time the police authorities put out a lot of lies to excuse his shooting, which have since proven to be entirely false. (Such as that he ran away from police.)
It’s a bitter, angry poem.
“May you live in interesting times” is – as all Terry Pratchett fans know – supposed to be an ancient curse.
“Generation Z” is Hunter S. Thompson’s label for the current generation of Americans growing up in the shadow of 9/11, the first generation predicted to have a lower standard of living than their parents – but let’s broaden it to all of us – it has a good apocalyptic air of finality to it.
The poem is also heavily inspired by Adrian Mitchell’s To Whom It May Concern (Tell me lies about Vietnam.) http://www.geocities.com/marxist_lb/Adrian_Mitchell.htm
I would hope though that this is not a despairing poem. It’s an intensely sarcastic call to action – these remain interesting times. A damn sight more interesting than computer games or prozac.

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Vaishakh (Buddha Pournima) by Maxime

“As all of life’s a tragedy
There’s no more point in choosing –
The greatest moments of our lives
We’ll all soon end up losing.”

Thus spake the Buddha, then he danced
Into the funeral pyre;
And all his devotees, entranced,
Watched him as he expired.

Then came a breeze to blow the flames
And ashes all away,
And Buddha danced within the wind;
Oh how his hips did sway!

And the devotees watched and laughed
’s he swung and did not tire,
And laughing still they then got up
And danced into the fire.

Maxime comments: I guess the format is my favourite one: a very square one, in all respects. But then again, Gâutama was quite a square person.

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My father rented an owl (+other shorts) by Conor Quinn

My father rented an owl for some goddamn reason. He set it up in the kitchen and we watched it for an hour as it swivelled its head and glowered at us with angry round eyes. It did little besides that. One by one we left the room.
My father lingered the longest, trying to look like he knew what it was for. He sat and read the papers and smoked, waiting for it to start. Finally he began to look at us angrily, like we had brought this useless animal into the house. I don’t even think he returned it. It might still be up in our attic.

***

I woke her by muttering in her ear and pressing my thumb against her temple. After a twist and a groan the eyes on the front of her head opened and begin looking at my face. I giggled and bound off the bed. The glacier floor sent a ghastly freeze up my spine. I murmured a little prayer to my penis, floating over my head, and then the cold toad slinked off of my toes and everything fell into place, ready to push forward.
She followed me out of the bedroom as I descended from the landing. There were no limits to my black heart. It had devoured the universe.
At the foot at the stairs I paused to sniff the roses stolen from her mother’s grave. The damp dawns of her departure lingered within their tightly folded petals. Their silent bobbing stalks nodded in assent, confirming all I did was right. No more fireworks now, just the slow nibbling forward.
As I prepared a special meal I heard her move above then descend the stairs with deliberate steps.
It was Shakespeare’s birthday, I told her. I suggested we eat cat food to mark the occasion, then get drunk and walk around. She thought this was laughable. What would people think?
I had other suggestions, but they all began with drunkenness. She understood and yielded her consent. I cracked open a fresh bottle of vodka and we passed it back and forth like a sacrament. When it was finished we flung open the door and lurched out into the morning.
Someone caught my eye, we locked gazes for a moment, then I broke away and moved my eyes to an innocuous spot. Then I frowned. Then I told her how I felt about the Nazis. Then we visited a war memorial. Then they visited other local sights: the flower market, the lake, the home of a child molester. Then we each bought two litres of cheap cider each. Then we trespassed the grounds of a girls secondary school and drank the cider as the moon rose. Then I had to throw up. Then we visited her friend but his mother wouldn’t let us in. Then we walked two miles home.

***

I bought some meat from the local supermarket the other day. I never buy meat, I’m not sure how to cook it. I’m always afraid of catching salmonella or something so I always burn it to a cinder. It’s hard to eat but I’d rather be safe than ill, you know what I mean?
So I was getting a lump of beef and some spuds and other vegetables. When I got to the counter I smiled at the checkout girl. She smiled back and said “Good evening.”
“Good evening,” I said, “do you ever touch your tits and think about when you were a baby?” She didn’t hear me properly so I had to repeat it. When she understood she went red and pretended like I wasn’t there. I kept smiling, waiting for her to answer but she wouldn’t.
After I paid I waited at the door, staring at her but she avoided my eyes. I left feeling offended and swore never to shop there again.

***

I swear to all heaven, the whispering fictions I gather to adorn your waning memory will never bewilder, like the logic of poetry, nor will they clothe your feeble wonder in the fatal organs of delusion. They will only raise your passion for communication, or lay to sleep the pain of self-preservation.
Add to this the abundance of vile beauty and the miserable rhythm of language, and a fossil of security will hold together the naked corpse of your being. Your famished instinct for manifold error slinks off to twist the roots of solitude.
But, no matter what mysteries we intone, the evolution of experience will exhaust all song and fiction. The seclusion of wisdom no longer saves, it only watches.

***

HERE we are at the gates. Low houses decorated with a black enclosing wall. Our horses’ hooves sink deeper into black things above a city of coal. The land follows a lacework of which follows a fire. The gloom of barricades where fighting must have been destroyed, after fire and all-pervading ashes. We are at one with the ashes, which make our faces tingle.
The leaping dreams; the sky glows; fragrant hunters command. The soft doorway dreams. This wild regret moves a few straggly beggars snivelling in the stale material of curious debris, binding and formed of the double triple gates. Colossal black mass of ruins. A city of barricades where fighting is all that is left. We are wading, stepping upon the corners of an infinite labyrinth of all-pervading relics.
I hurtle through the ruins of this life we all have adopted. It is no accident that modern education does not teach us the true aspect of life. O they aren’t interested in anything less than regret. I laugh and I cannot leave town.
Behind this bare song, I sit. Does the cold flame strive? Sky tight and empty, quick sparrow. The blunt shell spinning, supple but loose. Angry, she bubbles, with pink pools. The weary fox soars when leaden seagulls command. The queen crawls. The monk comes to the water.
Path gnarled and dismal. Not dismal, not gnarled, I speak.

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Good Morning by Nila McCann

Good Morning!
What’s so good about it?
Is it good because you said so?
I hate mornings!
What if I don’t feel that way?

Why doesn’t anyone say…
OK morning or
bad morning or
average morning or
hungover morning or
‘I’m sick of mornings’ morning?

The truth about waking up sounds more like:
Hell is the sound of my alarm clock morning
I wish I were still in bed morning
I quit mornings morning

At work we could all just admit:
I hate Mondays morning
I haven’t had my coffee yet morning
Do I have to go to work today? Morning

Or honestly ask each other:
Why do you care? morning
You don’t care? morning
I don’t care! morning

The awkwardness we’d avoid if we’d say:
Let’s just fuck morning
I don’t want to see you again morning
It doesn’t happen to other guys morning

Think of how honest it is to simply say:
I cheated on my taxes morning
I slept with your wife morning
I lied to you morning

Or the stress we would relieve if we could say:
I don’t love you anymore morning
I never loved you morning
I want a divorce morning

Fuck it !! Let’s just skip mornings altogether!

Good afternoon

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21st May at The Lizard Lounge

That was one of the best nights we’ve done yet. So thanks everyone who came. Three rounds of poetry, each about 8 short slots of 2 poems/5 minutes… but with some longer exceptions such as Xander’s moving story (We Walked Slowly Among The Lemon Trees – you can read it on his blog follow link on the right) and Lucas’ blistering response to T.S. Eliot’s Wasteland. A good range of stuff too, from the more beautiful spoken word stuff to sharper, funnier performance poetry such as Nila’s and Lucas’. Gideon also read for the first time. Nila read a published piece in the vein of Good Morning. And of course Erica sang – blew everybody away – even drew in Cesar from the bar to listen. Really enjoyed it. Drank too much. Was up till late composing dirty limericks with Maxime and Conor. What more can you ask for?

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Ink is blood by David Barnes

This is a kind of declaration or manifesto about writing, about it being a deep aspect of who I am. About choosing to write. (Do you choose? Perhaps only in the same sense as you choose whether to be yourself.) About the sense of untapped potential that could be unlocked. About confidence in its fulfilment.

Ink is blood

Ink is blood that courses through the arteries of the mind containing all colours within its darkness
Flowing in search of light and release to the rhythmic pulse of the heart
Words are shorthand for experience and imagination
A currency of vision and desire exchanged without loss
Words are the seed crystals that drop into the jar that contains the soul and expand into fractal mosaics
They are lights in the dark
Syllables that touch off recollection of other voices, that re-ignite un-memories in the inaccessible corners of the heart

When I was born I drank a cup of black ink and now I bleed words
My mind is full of words and photographs of unreality
And I can see there is a wall of water coming
I know it by the pressure in my ears
By the sound of the shore
By the harmonic vibration of every water molecule in every cell of my body in sympathetic echo
There is a wall of water coming and it will break in the mind
These tears that trace the outline of my face are only the first brimming over of the flood
The false breaking before the wave comes.

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