Report from 3rd September

Well, ladies & gentlemen, here we are again for another season of words veering from the sublime to the ridiculous. A new photographer (Viola) but sadly the same SpokenWord hosts, myself and Signore Rigettini. We do however have a larger than usual number of top hats.

So, last week began with myself and Dareka of the Downtown Slam (46 rue Jean-Pierre Timbaud, same time and day as us… check out their parallel universe!). Dareka’s bathroom – a cage for Tasha’s drunken angel. Margot with a Liberation text on gay & lesbian marriage. Kate had Jose Saramago: Cain comments on Abraham’s readiness to sacrifice his son. Jason began a flight through dreams of violence; tear gas corroded skin. “I’m reading this for me, not you,” he began. An honest man. Alberto seems to be getting a lot of strange emails from concerned people who want to help him. You know, Russian brides who want to marry him, people keen to extend the size of his baguette, doctors stranded in airports who need a few thousand dollars. He decided to reply… Round one ended with Pearlann dancing to Let’s Dance…

Round 2: The Good Slamaritan pledged allegiance to a nation of underdogs & invisible dreamers. We grow numb and number by the day… He too is down at the Downtown Slam when not with us. Helen posted a postcard of a short holiday with a potential mother-in-law. Becca & Jacob translated into various Google variations. Ben’s every word was contagious. The workless gift darkens with the mind. Angela and Nick did piano and whistle, the forgotten pioneer. Joe’s pigeon heart shuddered. Moe Seager closed with a story of when beat was an attitude and the polyester stretch.

And that was almost it. Most folks left. But for those who stayed we did a more informal spontaneous Third Round. Which will remain entirely mysterious and secretive for those who weren’t there.
Well maybe I’ll just say that Nick sang along the road to Gundagoi, Pearlann was tension & release while the world was a pale blue dot – Voyager’s last photograph – Noemie was on automoatic, writing. I rattled off into the forest dark. Ben: She lent on him, and he lent back…

Be there tomorrow for more strangeness and poetics, song and other! Plus these 3 as Featured Performers:

PETER CARLAFTES is an NYC playwright, poet, and performer. He is the author of 12 plays, including a noir treatment of Knut Hamsun’s Hunger, and his own celebrity rehab center spoof, Spin-Dry. Carlaftes has recently published three books: A Year on Facebook (humor), Drunkyard Dog (poetry) and Triumph for Rent (3 plays). He is co-founder and editor of Three Rooms Press; their most recent books include Maintenant 6: A Journal of Contemporary Dada Writing and Art; Have a NYC: New York Short Stories; and Mike Watt: On and Off Bass, a collection of photos and distilled tour diaries from the great punk rock bass player.

KAT GEORGES is an NYC poet, playwright, performer and designer. Her full-length poetry collection, Our Lady of the Hunger will be released soon on Three Rooms Press. In New York since 2003, she has directed numerous Off-Broadway plays, curated poetry readings (including the bi-monthly Son of a Pony poetry reading series at Cornelia Street Cafe), and performed widely. She is co-founder and editor of Three Rooms Press; their most recent books include Maintenant 6: A Journal of Contemporary Dada Writing and Art; Have a NYC: New York Short Stories; and Mike Watt: On and Off Bass, a collection of photos and distilled tour diaries from the great punk rock bass player.

VIDEO of Kat
http://youtu.be/CUPeR3dcmyo

Pearlann is an experimental postmodern performing artist from the United States with a philosophy of using jazz as a verb. Her concept of ‘freejazz’ is a direct reaction to the commercialism, technical and presentation constraints of contemporary Western dance; an original method of physical-musicality that spontaneously plays the motion of the body as a jazz musician would play their instrument. Her work in freejazz intends to challenge the common perceptions of what is ‘dance’, who is a ‘dancer’ and where dance is found in the zeitgeist. “All movement is dance… and everyone is always dancing”.

Cheers all,
David

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Tuesday Sept 11th Kate Noakes, David Barnes & Gareth Eoin Storey reading at Poets Live

Poets Live is pleased to announce its first reading of the 2012/13 season this coming Tuesday, September 11th at Carr’s Pub (1 rue du Mont Thabor, 75001 Paris).  The evening will begin at 19h and will feature three poets, Kate Noakes, David Barnes and Gareth Storey.  More details on the three poets below, and more details on the reading series at the Poets Live website: http://poets-live.com/

Kate Noakes is an elected member of the Welsh Academi. Her most recent collection is Cape Town which will be published by Eyewear Publishing (London) on 1 October 2012. Her previous collections are The Wall Menders (Two Rivers Press, 2009) and Ocean to Interior (Mighty Erudite, 2007). Kate has a MPhil in Creative Writing and has taught for Oxford University. She has performed at venues as diverse as Glastonbury Festival and Henley Literature Festival. She has lived in Paris since 2011.

David Barnes was born in 1971 in Reading, England and studied American Studies at Manchester University. Since 2003 he has lived in Paris where he runs writing workshops and the very successful English poetry open mike he founded, SpokenWord Paris. He co-edited the anthology Strangers in Paris: New Writing Inspired by the City of Light (Tightrope Books, 2011) and self-publishes Issue.Zero Lit Journal featuring many poets from SpokenWord Paris. He won Shakespeare & Company’s short story competition in 2006. His poems have been published inSpot Lit Magazine, 39th Parallel, Upstairs At Duroc and elsewhere.

Gareth Eoin Storey has been scribbling in notebooks since adolescence throwing various influences into the stockpot of his head. As much inspired by ol’ dirty bastard as William Carlos Williams, and the usual: 1970s cinema, heavyweight boxing, Picasso, the black dog, misplaced meringues…His work has been published in horror sleaze trash, the smoking poet, alternative reel and various other rags and next year his first collection Hangover House will be released by black coffee press in Detroit. He loves Giulia and Fernet Branca.

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Report from August 27

“Paris is a fine place to be quite young in and it is a necessary part of a man’s education. We all loved it once and we lie if we say we didn’t. But she is like a mistress who does not grow old and she has other lovers now. She was old to start with but we did not know it then. We thought she was just older than we were, and that was attractive then. So when we did not love her anymore we held it against her. But that was wrong because she is always the same age, and she always has new lovers.”

“This is Good!”

“It’s Hemingway. It’s not me!”

Chris Newens leaving Paris with Grandpa Hemingway’s tips inside his pocket.

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And also

Lizzie, Ian and Charles Bukowsky and Ryan Gasling, David, unimaginary friends and Borges, Bryton and McCarthy, Becca and a new way to kiss, Naf plus B, Alberto at The Burning Man. Dareka in French, English, Japanese, Spanish, Icelandic, Uncle Joe & Harvey Pluto & Gloria Gaynor, Pat Cash at Pere Lachaise, Magda and Andrea Gibson, Helen O’Keefe and The Angry Lutemaker, Nick, Chris Newens, Paris and Muses. Ben, Evan and Federico Garcia Lorca, Moe, Ben II and The Black Sheep, Uncle Joe and opium suppositories, Shakespeare and Company’s Novella Competition, Georgina Emerson and Roland Barthes. Spoken Word Paris is back for a new raging season. Every single Monday. C’est La Rentrée!

Alberto

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Report from 6th August

I opened with Oriah Mountain Dreamer’s The Invitation:

It doesn’t interest me
what you do for a living.
I want to know
what you ache for
and if you dare to dream
of meeting your heart’s longing.

It doesn’t interest me
how old you are.
I want to know
if you will risk
looking like a fool
for love
for your dream
for the adventure of being alive…

and I followed it with my own Butterfly Effect.
Some extracts I noted down from the rest of the night:
Magda was foreign to a fault. Dareka was a bit itchy though. When the sky unhinges, who will extract the cancers from our lips? asked Eugenia. Helen did something with snails but was never feckless. John produced 2 peacocks in heat. Bibi took a sledgehammer to her own head, because in love. Kate conjured a strange harvest of living flesh as Medea. There was more – Moe, Yaz and Richard and Jason and James. But you can tell it to my unconscious.

And if you haven’t seen it, check out Yann Rousselot’s poem and video here.

Cheers all.
See you in September – next SpokenWord is 20th August but Alberto will be under the hat and I’ll be on holiday in the sweltering heat of England.
David

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Call for Submissions: issue.ZERO – Winter 2012-2013

issue.ZERO is an upstart literary magazine created from the anglo writing scene in Paris. It is a platform for poetry, satire, flash fiction, novel excerpts and short stories. Our four-person editorial staff is eclectic, to say the least, so our tastes run wide and deep.
For your best chance at being pulled from the pile and printed on our pages, choose examples of your work that are sharp, tight, as strong as whisky, darkly visionary, caustically witty, perhaps even tormented to the point of being tormenting. Contributions from writers who have actively participated at SpokenWord Paris events will be favored although we welcome submissions from far and wide.
issue.ZERO receives no external funding and so we are unable to pay selected authors except by way of a contributor’s copy and an invitation to read at the Paris launch.

DEADLINE FOR SUBMISSIONS: September 30th, 2012

Guidelines

  • Submit up to three unpublished poems up to 40 lines each
  • Flash fiction, short stories, novel excerpts, and serialized stories up to 3,000 words
  • Please include a 50 word bio with all submissions
  • Send all submissions in a SINGLE .DOC or .RTF document to themag.paris AT gmail DOT com
  • Simultaneous submissions fine as long as you tell us a.s.a.p. if your work is accepted elsewhere.
  • issue.ZERO is currently only available as a printed magazine, not online.

Editor-in-chief
David Barnes – Founder and host of SpokenWord Paris and The Other Writers’ Group, author and poet, David is currently writing his dissertation for his Masters in Gestalt psychotherapy.

Editorial staff
Suzanne Allen – Teacher, event coordinator, and Pushcart Prize nominee, Suzanne holds an MFA in Poetry, and her chapbook Verisimilitude is available at CorruptPress.net  She also creates videos — many from Spoken Word Paris — archived at “Vlogosphy” on You Tube.
Jason Francis Mc Gimsey – Translator, writer and organizer, Jason is the webmaster and coordinator for SpokenWord Paris projects and events. A selection of his stories and translations can be read at http://tragicoptimist.com.
Kate Noakes – British poet and member of the Welsh Academi, Kate’s most recent publications include Cape Town, Eyewear Publishing (2012) and The Wall Menders, Two Rivers Press (2009). She blogs at http://www.boomslangpoetry.blogspot.com.

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Spoken Word Paris Live. July 23. 2012.

Report by AlbertoIzz been a great season of Spoken Word, if you want come and see some of the best moments and the great faces we had, you’re welcome at Marie De Lutz’s Vernissage.

But faces and poems keep on rolling twice a month all along the summer downstairs au Chat Noir. Evan’s opening: “Listen, we are Music”, Daniel-Ryan Spaulding a canadian gay boy learning to hate poor pineapples in French. If you want a preview of his Edimburgh’s show click here. Kate on the famous Kimberly 56 stars. You can still support her kimberlizing yourself right now, on line, with the Kimberlizer.  Chayma Boda and Mona Assayag, Guitar and Cello, Maya Papa: “Poets have a great tradition of  taxidermy.” Helen telling the story of Myra who cooks cakes with salmonella (for some reason). Our Featured Poet: the Palestinian-American poet Hala Alyan, author of ‘Atrium’, by Three Rooms Press:

“You ruin everything. I cannot wear

lipstick

without seeing cupped palms gathering blood from

wounds

like rain. Broken are the cuticle scraps of your

breakfast,

Mediterranean witch. Baby, save your thunder.”

Patrick Cash opening part II, Yann: “I’m writing a blog that will never end called the ultra-bible and it will be written in capital letters”. Alexandre aka The Dream Sailor jumping on benches (while playing the guitar, I mean), Luke reading some very old poems, written three years ago, Asha: “Only the rain is true to itself, falling”. Alberto found one line by Garcia Lorca in a street of prostitutes: “Estrellas no tienen novio / Stars have no boyfriend”. Georgina treating us like clever kids, telling us a fable. And Lucy Gelman, after one great season of poetry at Spoken Word Paris, is going back home “flying out from the bed”. Madga I don’t care what the Bible says, this was a very controversial poem on how to cook pasta, (I beg to differ) Emily’s childhood in Ghana, Talal don’t want to be eclipsed by his sister (Hala), Amelia (She’s leaving too/ we’ll miss you girls), James Jewell for the broke bohemian artists, we are! His bearded face hanging from the Poster:

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Report from 25.06.2012

Report by Alberto.

Sorry for this Report posted late. As you may know Italy lost the Football Euro Cup, the blogger here collapsed four times and needed time to recover. Also as you may know Spoken Word Paris is now twice a month for the whole summer. Flashback: Jane, Doctor Who, Jason: “C’mon it’s just sex.” “Gimme the details!”, yes, give us the details, Sonny Shula, Frank Sinatra, Kate Noakes, Inuits’ Tattoos and our featured poet Griffin Payne, one of the heroes of our 2011/2012 season, performing his greatest hits like the famous: “Put your shoes on, girl.” (something like that?). Wayne “You better get a raincoat, motherXXXXer”, Tania&Amel, Chris&Benjamin in Cowsanova:

Murderrrr, Antonia Klimenko, David and ontological anarchism “Amour Fou is not a social democracy”. Magda on dopamine, Helen Cusack O’Keefe, “Agglomerat des reveurs”, Pablo: “A great stillness will take over”, Lucy, Beatrice, Nicole: “Instant French is better than instant coffee”. Georgina into the wild. Helen’s French Impro, Betty & Thomas closing the night with a gun-song on Camille Pickens’ lyrics. Bang. Bang. Bisoux.

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Paris novella writing competition

The Paris Literary Prize is an international novella competition for unpublished writers. Any topic is welcome.

Shakespeare and Company has a long-standing tradition of opening its doors to aspiring writers and in keeping with that philosophy, the 10,000€ Paris Literary Prize is open to writers from around the world who have not yet published a book.

We have long been admirers of the novella, a genre which includes such classics as The Old Man and the Sea, Animal Farm, L’Étranger and The Prime of Miss Jean Brodie. The Paris Literary Prize celebrates this small but perfectly formed genre while giving a unique opportunity to writers whose voices have not yet been heard.

Awards

There are three Paris Literary Prize awards:

The Paris Literary Prize award: 10,000 Euros
Two Paris Literary Prize Runner-up awards: 2,000 Euros each
All three winners will be invited to a weekend stay in Paris to attend the
Prize ceremony and read from their work at a special event at
Shakespeare and Company.

Last year, the winner of the Paris Literary Prize was Rosa Rankin-Gee for The Last Kings of Sark ; the two runners-up were Adam Biles for Grey Cats, and Agustin Maes for Newborn.

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SUMMER DATES

SpokenWord is every 2 weeks in July and August
Monday 9th & 23rd July and 6th & 20th August

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Report from June 18th

Report by David. Photos by Marie de Lutz. Summer dates for SpokenWord: Mondays 25th June, 9th and 23rd July, 6th and 20th August.

Jason knew an anxious joy on the threshold with the horde of hopeful dreamers. Another world is possible. Kate apparently died in 1871. Crocodiles can’t roll cigs. The taste of toasted almonds. Amelia’s light freckles lurking. Madeleine, how swiftly you’ll get nowhere. Can we time the perfect breath?

Fucking spiders everywhere!!!!!! Pablo evoked groans of disgust from the room. If I told you the truth with a French accent, would you believe me?

 Sonnet for young American poets (Patrick Kilmartin)

Young poets step up but hone your versed craft,
for words worthy of greats, not late night rough drafts.
These journal entries that feel ways about stuff
but forget about form while spilling their guts.
Such undisciplined art cannot long be sustained
by spectators ignored and un-entertained,
thus unbridled indulgence and strained sentiment
evoke nothing when heard but listener contempt.

Writing must struggle, to be fresh, to be lauded,
not used as excuse for a gap year abroad…
But by all means write, pursue truth unafraid,
just recall what Yeats said on learning your trade.

Some concision, tautness and structure please,
‘cause no-one but you likes poems lacking these.

Caroline talked back in tongues. Thinks about white spaces. Pat and Patrick featured in The Lutemaker, Part 3 aka If you’re feckless, go to the feck shop. Michele set the world on fire. Athar saw ribbons on the trees… pieces of him we sort and tag but never see again. Danielle abridged the Kugelmass Episode by Woody Allen. Pat, you are the oh-so-bittersweetness of the lime in my mojito.

Alberto dazzled through my irises. A young senior citizen. What to do with my useless self? Murder brought le coeur qui parle… sounds like an Agatha Christie title! Tous marche à l’inverse… Richard drank the Liffey dry. Evan appeared with a hoard of cats, and pyromaniacs. Chris is saving the world in a 6th floor apartment, asking for a post-postmodernism…

To close – Patrick Kilmartin’s rewrite of Yeats that prefaced his Sonnet for young American poets:

“Bourgeois brat Yanks please learn your trade,
don’t recite that which is not well made.
Scorned be this new wave, a growing malaise
that write raw rambling thoughts yet expect all our praise.
Children of Emerson have you forgotten
the traditions you’re part of, the shadows you trod on?”
 

-W.B. Yeats (excerpt from alternate version of Under Ben Bulben, Part V)

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