Report from June 18th

Report by David. Photos by Marie de Lutz. Summer dates for SpokenWord: Mondays 25th June, 9th and 23rd July, 6th and 20th August.

Jason knew an anxious joy on the threshold with the horde of hopeful dreamers. Another world is possible. Kate apparently died in 1871. Crocodiles can’t roll cigs. The taste of toasted almonds. Amelia’s light freckles lurking. Madeleine, how swiftly you’ll get nowhere. Can we time the perfect breath?

Fucking spiders everywhere!!!!!! Pablo evoked groans of disgust from the room. If I told you the truth with a French accent, would you believe me?

 Sonnet for young American poets (Patrick Kilmartin)

Young poets step up but hone your versed craft,
for words worthy of greats, not late night rough drafts.
These journal entries that feel ways about stuff
but forget about form while spilling their guts.
Such undisciplined art cannot long be sustained
by spectators ignored and un-entertained,
thus unbridled indulgence and strained sentiment
evoke nothing when heard but listener contempt.

Writing must struggle, to be fresh, to be lauded,
not used as excuse for a gap year abroad…
But by all means write, pursue truth unafraid,
just recall what Yeats said on learning your trade.

Some concision, tautness and structure please,
‘cause no-one but you likes poems lacking these.

Caroline talked back in tongues. Thinks about white spaces. Pat and Patrick featured in The Lutemaker, Part 3 aka If you’re feckless, go to the feck shop. Michele set the world on fire. Athar saw ribbons on the trees… pieces of him we sort and tag but never see again. Danielle abridged the Kugelmass Episode by Woody Allen. Pat, you are the oh-so-bittersweetness of the lime in my mojito.

Alberto dazzled through my irises. A young senior citizen. What to do with my useless self? Murder brought le coeur qui parle… sounds like an Agatha Christie title! Tous marche à l’inverse… Richard drank the Liffey dry. Evan appeared with a hoard of cats, and pyromaniacs. Chris is saving the world in a 6th floor apartment, asking for a post-postmodernism…

To close – Patrick Kilmartin’s rewrite of Yeats that prefaced his Sonnet for young American poets:

“Bourgeois brat Yanks please learn your trade,
don’t recite that which is not well made.
Scorned be this new wave, a growing malaise
that write raw rambling thoughts yet expect all our praise.
Children of Emerson have you forgotten
the traditions you’re part of, the shadows you trod on?”
 

-W.B. Yeats (excerpt from alternate version of Under Ben Bulben, Part V)

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Spoken Word June 11 2012

Report by Alberto.

Round I
Patrick Cash, Pierre P-Air Purdy, Anass, Lucy Gelman, Kate Noakes, and our featured poet the Dada Jazz Surrealist Maestro Valery Oisteanu:

From the poem “Doctorine” by P-Air Purdy:
“they can’t see Phd but
come to lick blood from
fresh idea

when the meats gone they nip
at fingers
the hand go in pulsing shards”

Peace, love and taco grease.

Round II
Magda, Patrick, Benjamin, Helen, Pablo about Bisexuality: “Pick a fuckin team!”
Andrea, Caroline and our featured dancer Lore. More Lore? Here.
Well, we didn’t have a tree at the Chat Noir.

Round III
Ewan translating Garcia Lorca. Tino. Hiroko Kouno. Kelly. Patrick. James and Dena. Rollin’ on.
Further reading:
Helen O’Keefe from The Angry Lutemaker:

Bartolommeo – My first night at Grimaldi, the DINA agents gave me the bienvenida. You arrive, blindfolded, then ten, fifteen of them, they beat you in silence.  They broke both my arms, but I was one of the few whose family could afford to pay for them to be re-broken and reset.
He stretches out his arms wide, in the pose of the monolithic christ of Rio de Janeiro.
Bartolommeo – See look how straight my arms are!
Y – Like a hammering hero in an old Soviet monument.  No man with biceps like that could be a capitalist parasite.
Bartolommeo – I wish I could take out my brain, to show you how well it too has mended.  My parents sent me to a bourgeois Freud doctor, was interesting, but I told them I’d do better with my art.   In Grimaldi, I acted in my head, for example, in isolation, I improved all Tony Curtis’s roles.  I would be sitting in ripe shit but really I was laughing on a yacht with Marilyn Monroe. No, I cannot take out my brain, but I can tell you about the roses.   I was in a cell with a window for a while, outside was this old rose garden,  planted from before.  DINA agents took the women and raped them there, even they trained a dog to rape.  The screams of the women and the barks of the raping dog would mix with the smell of roses.  I could not stand to look out at them, their smell was sad to me.

Then Anne said I must try to enjoy roses again, and so now I have my roses made of silk. Look!

See you next Monday!

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Paris Writers' Workshop Lecture Series from June 25 – 29th

PARIS WRITERS WORKSHOP – Afternoon Lecture Series

June 25 – 29, 2012

Open to the public [but not free! – SpokenWord editor] the lecture series covers many aspects of writing and publishing. Registration is required and space is limited.

Tools of the Trade (PWU256)
Monday, June 25
2:00 PM – 3:30 PM
Fee : 15€
Panelists: Samantha Chang, Kate McMullan, Kathleen Spivack, Christopher Tilghman
This panel is designed to share the talent and experience of our expert Writers-in-Residence with the entire PWW community. PWW attendees work intensively with just one of our accomplished faculty members, but these well-seasoned writers/teachers all have valuable information that should be available to all workshop attendees. Join us for what promises to be the ultimate lesson in “Tools of the Trade.”
http://www.wice-paris.org/Default.aspx?pageId=968631&eventId=450935&EventViewMode=EventDetails

How To Structure A Good Story: Beginnings, Middles, and Endings (PWU257)
Monday, June 25
3:45 PM – 5:00 PM
Fee : 15€
Panelist: Jami Bernard
This workshop, sometimes called SOS or secrets of structure, will review the basics of good story structure. Does your plot need help? Do you need to review the basic elements of structure. How will you craft a compelling beginning, middle, and end? In SOS, you’ll learn how to get a working structure for your fiction or memoir and how to create a blueprint for identifying the “beats” that shape and drive your story.
http://www.wice-paris.org/Default.aspx?pageId=968631&eventId=450947&EventViewMode=EventDetails

Continue reading

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Report from 4th June…

By David
Photos by Marie De Lutz

Shane, last seen somewhere near the Bois de Vincennes.

Round 1:

Dareka spoke the language of asteroids. He co-hosts the poetry night at the Downtown, 46 rue Jean-Pierre Timbaud, Mondays – check it out, it’s like a parallel universe in which we’re all French).Benjamin brought us the planet of the flakes. The comedy sketches show he’s in is on this Wednesday at the Petit Theatre du Bonheure, (info here). Melanie: the glowing butter brilliance of the waxing moon. Pablo… drags your body into a bathful of ink. David (me!): heart is slow, heart is quick. Pat Cash was full of demons, dawn, gods… Celine: no bit can keep her tongue quiet. Apparently this was a response to me asking her previously ”What do you do with your tongue when you’re not using it?” Kate: archery and silicon; revealing the past is dangerous. Continue reading

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THE POET IN PARIS
Faculty Poetry Reading
Monday, June 4
7 p.m.
David Barnes
Margo Berdeshevsky
Jeffrey Greene
Marilyn Hacker
Heather Hartley
Ellen Hinsey
Cecilia Woloch
Please join us for an evening of poetry by the faculty of the University of Southern California’s “Poet in Paris” Program, hosted by The American University of Paris.
Book-signing and reception to follow.
The American University of Paris
Room C-12
6, rue du Colonel Combes, 75007
  Metro Invalides or RER Pont D l’Alma
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Spoken Word Paris 28/05/2012

Report by Alberto

Photos by Marie De Lutz
Three Rounds, Two Breaks, One birthday, 24 performances, two glasses broken, six songs, one love, sisters, brothers, sweat, swearing, swowing wows. P-Air: we are like the wine we get better with age. David Barnes learned to dance this week, when Jazz is not a noun, it’s a verb. Gabriel & Friends staging Sarah Kane, Pansy Maurer-Alvarez says years can be used like conspirators, Magda’s ten seconds, Billy Youngblood about Danton and Pigeons shitting:
From “Breathe Deep!”
“faster now than we were before
 faster than the limit with elation
 towards home, towards a wedding
 somewhere out there someone is dying
 somewhere ahead there are movies to be seen
           that cannot be unseen”
                                                                         Round II.
Michele Morselli about poets writing in Cafès, buying just one coffee and waiting one hour for the right line. Andrea at the piano. Joy Crane went political on her 20th Birthday (Happy Birthday!), Evan translating Borges, Sonny Sinatra Shula did it his way, Alberto Rigettini’s Paris Highlights: Dealing with the Evil Waiters. (Waiters don’t want to be waiters). Lewis National Geographic’s french flyes fucking on my arm.
Round III.
Lucy Gelman: “a clear and empty birdness of a thing.” Beatrice and the story of Persephone: A Myth of Devotion by Louise Gluck. Marius pleases the audience with a Norvegian Child song to get more applause. I noticed: it works. Helen’s from her laptop. Tino at the piano singing his song about La Gueule De Bois. Translation: The Hangover. La Resaca. I Postumi. Der Kater. Georgina introducing Unstrung Letter N: The Paradoxical Theory of Change by David Barnes. Lucy Hopkins is back: “Dear God, I know a group of people who say they know you but they seem a little bit unstable.” Camille’s last song in Paris. Margaux: “Dit moi Jacques Vous ve souvenez de la derniere fois vous etez heraux?  Hommage a Guy Debord.
Chelsea & Shirley’s everyday life in Paris like “Do you wanna meet Deandre?” And a collective song orchestrated by Betty. Spoken and unspoken words leave the room empty but will gather again
next Monday.
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Spoken Word in Paris May 14 2012!

Report by Alberto.

Photos by Marie De Lutz.
Song to listen to while reading this blog: Sous Le Ciel DeParis.
Spoken Word Paris. Attention please the stage order may change randomly: Jason translating Samarago and organizing the troops for a collective premiere of On the Road. Come with us on Wednesday! Christelle and the words of Sous Le Ciel De Paris. Patrick Cash vs Patrick Kilm. David fishing goldfish at La Defense. Kate’s tattoos, Pablo’s Baudelaire, Sonny Shula’s rolling river, Murder,(comma) Ian, Ashley B. pretending to be the only child.
                                              Najee Omar Lost and Found
                                                  Magda’s flowers
                                                   Continue reading
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Report from 7th May

There were gasps and groans from the audience as Shane recounted cocoons being laid in his pubic hair. Helen read from her tale of an attempted poisoning. David Fishel ate near 50 pancakes to win a bet for his grandad. At first Lucy Hopkins was afraid, she was petrified. Jessamyn started smoking again; everythign looks like carnage in this country. I can’t sleep without your warmth.
Emily’s eyes roared with light. Alberto was investigated for child porn and won his case when accused of horse fucking. (Wtf! Where does this stuff come from? Sometimes I read over these notes and it’s like seeing icebergs loom out of the mist of my beery amnesia and settle back into reality.) Jason translated violence from Naples.

Round 2:
Lucy Gellman was there “…and someone to bake it with.” Moe was stealing back his life. Ben thought of others, a candle in the darkness. Lucile was left standing godless. Edward saw the rain full of ghosts. Constanza    read e.e.cummings’
THERE ARE SO MANY TICTOC
By e. e. cummings

there are so many tictoc
clocks everywhere telling people 
what toctic time it is for 
tictic instance five toc minutes toc 
past six tic 

Spring is not regulated and does 
not get out of order nor do 
its hands a little jerking move 
over numbers slowly 

we do not 
wind it up it has no weights 
springs wheels inside of 
its slender self no indeed dear 
nothing of the kind. 

(So,when kiss Spring comes 
we’ll kiss each kiss other on kiss the kiss 
lips because tic clocks toc don’t make 
a toctic difference 
to kisskiss you and to 
kiss me)

And then it was almost over. Caroline filled the empty space with flowers. And Evan brought us news from the internet wars – Porn vs Cats – which you can listen to here 

Next SpokenWord tonight, and every Monday, au Chat Noir.
Cheers,
David

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Spoken Word Paris 30 / 04 / 2012

 

Report by Alberto
Photos by Marie De Lutz. Click here for the whole album.
 
Back then Sarko was the President of France.
Patrick Cash masturbation and patriotism, Melanie’s sticky afternoons, Sophie’s infinitesimal part I and II. Jason “I give her a slap on the face, not hard but humiliating.” Marie’s instructions to be more photogenic. Let’s see if it worked:

                                         Pansy: we splayed kiss marks all over the room.

Jessanyn: perhaps you thought no harm in letting her pretend. Louisa’s Christmas: Cats fucking interrupt our morning. Emily’s sex positions. Alberto’s May 2: Obama vs Osama. Griffin: “I am every gay-child who’s been told you better off dead.”
                                         Melissa playing the piano during the break.
 
Shane the nature poem of Saint Hook (or another Saint?), Fatima’s tick tock 52 weeks in a year
is my life measured by a laughter from ear to ear? Gina Bonati’s song: Don’t be so merciful, Don’t be too kind, I’m so used to this. Gabriel: What do you have to say now Prometheus? Tino’s singing it’s not about my monkey it’s about me and my pussy. Bruce’s exact change on the bus driver’s mind. Lucille introducing Scarecrow Collective number 3. Buy it at Spoken Word for Euro 1.50. Alex’s Baudelaire: Les gents se figurent l’ivresse comment un pays prodigieux. Ferdia and Shane and the new superhero: Man-man, half man, half man. Finally Beatrice brought flowers for David Barnes.
                                                 
                                          David Barnum looking into the future.

                                                       Margaux’s human Sculpture. 

 

Georgina introducing the Unstrung Letter by Kate Noakes about Philip Larkin. French slam poetry by Murder and Afroriginal: lumieres sur mes freres. And Hamlet came out of the blue: To be or not to be, this is the question: whether tis nobler for the mind to suffer the slings and arrows, etcetera, etcetera. To die, to sleep, perchance to dream. See you next Monday, etcetera, etcetera.

 

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Kathleen Spivack will be teaching Poetry Writing at the Paris Writers Workshop June 24-29 2012 in France.

 Shaping the Poem. From Completion to Publication. “How do we shape a poem so that it shimmers with meaning?.” We’ll discuss how to make our work the best it can be, with attention to communication and publication. Kathleen’s clients write their heads off, publish widely in all genres and win major prizes and top awards. You will too!   http://pariswritersworkshop.org

*******************************

bio, Kathleen Spivack

Kathleen Spivack’s memoir With Robert Lowell and His Circle: Plath, Sexton, Bishop, Rich, Kunitz will be published in 2012 by University Press of New England. A student and friend of poet Robert Lowell, Kathleen Spivack has written about the poets of his time, notably Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz and others who took her under their wing, with a focus on how they approached their work.

She is the author of seven previous books of prose and poetry (Doubleday, Graywolf, etc), has published in over 300 magazines and anthologies,  and received numerous awards. Named “Best Writing Coach” by the NWU, Kathleen teaches in Paris and Boston.

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