Report from Love, Sex & a jellyfish swarm

So many people! By 9.30 people couldn’t get in and had to stand outside – so if you want to get a seat, or even in the Cabaret Pop – get there for 8.30!
Ok, an impression of the night featuring some of the many people who did stuff: The photo is Hardcore Always, by the way, from left to right Erica, Colin & Dana. Colin complains that he doesn’t want to be “the music guy” and wants to read more stuff. Rufo says “Especially enjoyed the two plays, [Bev’s Atlanta Bus stand-off & Betrayal by shoes pieces – ed] ass rape (obviously), the black guy who sang and chanted and wailed (what’s his name?), and Troy’s lovelorn ramblings. There may have been good stuff afterwards too but that’s when I left.” Ass rape being Dana’s surprisingly fun song. Stedy was the guy chanting and wailing (& doing African-style guitar) to boulverser la verticalité du vend. Troy was in love once. In a seagreen linoleum booth at the Horseshoe Café. He claimed never to have done his stuff before, to have written his poem in 5 minutes having had to throw out a poem on the credit crunch because it didn’t fit the night’s theme, and to be only a painter. Well he did have paint on his overalls, but otherwise he’s a liar. He’s too good.
Pauline read a Mat Groening cartoon. Géno (where have all the other French poets gone?) said j’ai le coeur sec comme un pretzel, piqueté de grains de sel. Thomas Morelius brought meditations on Oscar Wilde. Thomas 2.0 went to the woods in search of summer love (I am really tempted to add some Grease lyrics at this point.) Becky’s birds have flown the nest. For Spiritchild, love is political. Sally is in love with a man I haven’t met yet. Elena saw the contradictions. Maxx brought the family, – yes that was his kid! – came in glory, end of story. Gave a Hail (to his) Marie, the only home I’ve known. Erika, backed by Betty on the box, spoke of 30 years with your love, a man who destablized the ship of me. Ellen Adams was late for sleep again. Gone is the day she saved me from the jellyfish swarm. I read Bitter Valentine, Carol Ann Duffy’s beautiful You (thanks Naomi for putting me onto her Rapture) and my own

She is the fountain,
on fire in spite of herself
the answer to a
question unasked.

Kevin? Kevin should’ve been a pair of ragged claws, scuttling across the floors of silent seas. (T.S. Eliot’s Lovesong of J. Alfred Prufrock). Hardcore Always did the Violent Femmes’ Add it up. (Why can’t I get just one kiss?/Maybe some things I wouldn’t miss/But a/look in your pants and a mere kiss/Why can’t I get just one screw? Baby I know what to do/but something won’t let me make/love to you).
And we also had Marianela’s moving piece, Erik, Antonio (in Spanish), Amber, Corty and others! Too many to fit in the bar, too many to write about!
Seeya tomorrow night!

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2nd February – Numbers

One. Hardcore Always (Colin, Dana & Erica mostly) One is the loneliest number you’ll ever do (in a mohair suit) (Colin was). // Thirteen. Colin did Alex Chiltern’s song Thirteen and Wallace Stevens’ Thirteen Ways Of Looking At A Blackbird. // Thomas Yates. Charles Manson song & Sleeping against the wall. // Five. Maxx – Pentagram by A. Crowley; he harnassed the lightning. Time Only Time by David Tibet; 8 years since I last saw you. Letters all burned. // 13, 2 and 15: Pauline a fait un roulé-boulé dans l’escalier. 20, 26, 28: Les insultes, leur mode de commmunication. // Thomas V. – Ten minutes – the nylon charms of my first guitar, sunrise only 4 hours away. If I had a million dollars… Haven’t you always wanted a monkey? // Leemore – Bare bones, stealing books // Chris – ex-forecaster, outtake from her book – An Ode to Budget Season – Snow that doesn’t stop & doesn’t leave. falls like a wet sack, dingy & grey, plummeting to the ground; an anti-snow piece! // Dana – 25 reasons // Emily Einhorn song for Aaron, they say boys don’t cry http://www.myspace.com/emilyeinhorn // Erik – I wanna roll around with an 8, grab the tail of a 7; solving the Rieman Hypothesis // Britta – 3 dreams, I woke up once, aching for my dead friend // Erica – $40,000 pay out from the US for 15 civilian Afghan deaths; $2,200 per death. $500 for the wounded. & Crying Won’t Get You a Dime… // And Jaco parle de Camille et son problème existentiel. J’avais envie de dire combien tu es belle.

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An invitation to open mic in Madrid!

The Second Mad Open Mic: Captured Words
Café Concierto La Fídula
Calle Huertas, 57 Madrid in the Barrio de las Letras
Metro: Anton Martin, Sevilla, Banco
Wednesday, March 4, 2009
Performing will begin at 9:00 pm
To register and for further information, contact: margiekanter@gmail.com or www.elasunto.com/mkd.htm
Come to present your own work or just to listen in. Open to the public. No entry fee. You pay (only) for what you consume.
Guidelines for Performers:- Your presentation must be your own creative words; spoken or readspoken. It can be a story, poem, lyrics (but no music), creative essay…- We will readspeak in cycles of 3-6 minutes each depending upon how many we are. Please prepare your work in combinations of 3 minutes each to allow for flexibility in scheduling. If there is time, there will be a second cycle. Please clock your readings ahead of time.- Sign up by emailing: margiekanter@gmail.com by February 26, 2009. – Put Open Mic in the Subject or Asunto of the email. – Include a short sample of your work or give me an idea of what you are planning to readspeak to help in the planning. – Late registrants will be included when possible.- Presentations will be in English.- For updates check: www.elasunto.com/mkd.htm

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Report from Body Parts

My head said one thing. My heart another. Read Trudie Shannon’s My head is a chamber of secrets too. Dana sang Go Away George Bush…. the monnnnnnnnnnsterrrrrrr! and Take my body/I don’t want these fallen tears/I’m just a shadow… Gèno spoke of un corps…

Dans les cas graves, les cas désespérés, tout bascule, on éclate, on se démantibule
Un bras là, un autre ailleurs, les jambes qui font le grand écart
ne parlons pas du cœur, traversé de part en part

Susannah gave notice to ”whoever has absconded with my feet, you are urgently requested to return them.” Edward wore his name like a hat, a gift from folks that he never thanked them for. He spoke wise words from which his body parts. I’ve lost my notes on what Erika with a k spoke but it was good. Erica with a c was running up to her human heart. She doesn’t want her love to be a promise so easy, so easy to tear down the middle. Leemore took lessons in painting with George Serat. For he is a boy and he wishes very much to be strong. How to sign your name and make it grow up and out fo the grass. The sky is listening. Xander spoke of desire, between 2 odd ends, Columbus and Broadway, like water evaporating. Scott read e.e.cummings. Colin says he doesn’t want to go to the doctor to be told ”You sir, are a walking genetic disorder.” – Who wants to hear that?! Elena’s grandma knows we must all take our licks. Ellen sang a Darn you! song, from a town you couldn’t spell. All you fancy people, you don’t phase me. Told of a Tall ex-boyfriend. Sally asked Is it for me to muse over? Your eyes and the secrets they unfold. Alice, she sleeps with her legs apart, curves her arms around the air. Jaco had le cerveau inert. Ask the penguin. Rob – Life’s a riot in Sweden. Cut in blue, his sky is righteous. Like a piecrust over the rim of the pan. He’s mellow as a cello. Pauline sang a Mieuxsec song to her own music. Que deviens tes doigts? Que devien ton coeur? Leemore came back with Jitterbug Boy. Saskia found a non-ending conversation, a manipulation of the brain. And Colin took a train to Barnsley.

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Report from 5th Jan (Clothes/les vêtements)

Erwan’s next door neighbours think he’s dead. What with the ten milk bottles standing outside his door. He brought us Summer with Monica by Roger McGough. Sally advised wearing underwear under your dress, in extracts from her just finished book! Giéno found it all banal mais fatal… He mused about cannell, vanille, before concluding que c’était bien d’avoir des bobos. Thomas took notes from the mental hospital, counting them in and out, then burst into a rainbow song. Leemore sang Ray Lamontagne’s Jolene and Ode to Divorce by Spektor & did her own poems including Clémence by candlelight. Eric went flirting without any risk of rejection in the year 2018, thanks to the miracle technology of BLOOB. For Pearlie, love is sartorial, something you wear, tailored. She shook off past lovers like changing clothes. Pauline sang Brassens’ fleurs et feuilles… dans l’eau de la clair fontaine. Becky was direct – ”Bring him to me, baby, my sunshine.” Jaco chased le plus beau cul du monde. Corty & Sven took route 66 by way of Germany! Dominic preached from Ecclesiastes. Betty sung a Spanish song and went out box drumming! Seb & Rafaele went acoustic with Roxanne and BABY YOU DON’T KNOW WHAT IT’S LIKE BABY YOU DON’T KNOW WHAT IT’S LIKE TO LOVE SOMEBODY TO LOVE SOMEBODY THE WAY I LOVE YOU… I did some stuff about something or someone or other. 😉

Thanks to Leemore who took the notes this report is based on.

Jen K Dick writes:
I wanted to let you know that when I was coming to Spoken Word regularly for awhile, it opened me up to writing about Paris again, and so recently I sent off one of the pieces that I not only wrote after hearing Spoken Worders read about their lives here thus inciting me to reapproach my own and Paris in some odd way, but also a piece that I first read in an earlier version at Spoken Word. And it came out in the Hitotoki Paris project, online, with my crazy pic of woman in gas mask from a vitrine near Le Next, at: http://hitotoki.org/paris/013
Her own Ivy Writers poetry nights are at Le Next bar, for more info see her amazing listing of literary events in Paris at http://parisreadingsmonthlylisting.blogspot.com/

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Le Crabe, écrit par Thérèse et dit le 15 décembre

LE CRABE

J’avais 25 ans, ou peut être 26.
Je ne portais pas encore de casquette.
C’était le printemps, je m’ennuyais.
Je suis allé au marché, rue des Moines, dans le 17ème, métro Brochant.
A l’étalage d’un poissonnier, j’ai vu un énorme crabe, un tourteau, et il me regardait de ses
yeux tristes.
Je l’ai acheté.
Je l’ai déposé sur le siège avant de ma voiture.
Je l’ai emballé de chiffons humides au niveau des pinces, pour qu’il ne bouge pas.
Et puis, nous sommes partis en direction de Deauville.
Pendant le trajet, je lui ai mis un air de blues.
Il faisait beau.
En arrivant à Deauville, où je comptais le relâcher dans la mer, j’ai vu tous ces magasins de
crabes et de coquillages et j’ai pensé que si je le relâchais là, un de ces marchands allait s’en
emparer. Mon plan allait échouer et ma B.A. tomber à l’eau, donc j’ai continué à rouler vers
Honfleur.
Là, discrètement, je l’ai remis dans la mer et il est parti vers son destin de crabe.
Je n’ai jamais su ce qui lui était arrivé ensuite.
Quand je repense à lui, dans ma tête, je l’appelle Lulu.
Ce jour là, ma vie a eu un sens, j’ai fait quelque chose d’utile, j’ai relâché un crabe.
Quand j’y pense, ça me fait du bien.

And another by her – La Nuit

LA NUIT

La nuit tous mes chats sont noirs
Ils me miaulent dans la tête
Ils ont des yeux d’élèves
Qui me demandent tous à la fois
S’il faut sauter une ligne
Et si ça compte pour le premier trimestre

La nuit mes enfants sont encore blonds
Ils rient dans ma tête
Et je pleure le temps passé

La nuit mes parents sont jeunes
Ils reposent dans ma tête
Avec de la Lorraine, de l’enfance et du soleil

Je me lève la nuit
Je dévisse ma tête
Et j’en fait tout un plat
Pour mes repas de la semaine

La nuit, le monde est sombre
C’est la poubelle du jour

La nuit est un méchant royaume
Peuplé d’idées mauvaises

La nuit, je l’aime quand je la fête
Et surtout quand je la dors

Thérèse Will
12 12 2008

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Poet Adrian Mitchell dies, aged 76

A poet of the left, attacked by people of the right for politicising poetry (as if Shakespeare was not political!) but in my book a brilliant poet who combined sincere passion with great technique. At the legendary poetry gig at the Royal Albert Hall, London (’68 I believe) with Allen Ginsberg and many others, it was Adrian Mitchell who stole the show. Deployed imagery, rhyme, devastating observation and a control of dramatic impact in the service of (his) truth.
Here for your delectation & delight is his anti-Vietnam war poem. Employing repetition and banal rhyme to devastating effect, the first 2 lines still encapsulate in a nutshell something I’d felt for years and not been able to express. Brillant observation.

‘To Whom It May Concern’ by Adrian Mitchell

I was run over by the truth one day.
Ever since the accident I’ve walked this way
So stick my legs in plaster
Tell me lies about Vietnam.

Heard the alarm clock screaming with pain,
Couldn’t find myself so I went back to sleep again
So fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.

Every time I shut my eyes all I see is flames.
Made a marble phone book and I carved out all the names
So coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.

I smell something burning, hope it’s just my brains.
They’re only dropping peppermints and daisy-chains
So stuff my nose with garlic
Coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.

Where were you at the time of the crime?
Down by the Cenotaph drinking slime
So chain my tongue with whisky
Stuff my nose with garlic
Coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.

You put your bombers in, you put your conscience out,
You take the human being and you twist it all about
So scrub my skin with women
Chain my tongue with whisky
Stuff my nose with garlic
Coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.

Guardian obit:
http://www.guardian.co.uk/books/2008/dec/21/adrian-mitchell-obituary

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Report from 15th Dec… "Animals"

We nearly had a brawl. It would’ve been over fast though. A room full of angry poets vs three drunk/stoned guys who were amusing themselves by trying to ruin it for everyone else. Animals, indeed. Jaco persuaded ’em to leave and then Dominique (older French guy, regular at the Cabaret Pop.) addressed what had gone on and restored the atmosphere. Before this tense near-fight, and after it, the night was good. Mirabelle and Martin brought us folk music on violin and cello. Michael chased 2 seals that leapt into a shipping container. Marianella enchanted us with her Dog Tale – a love affair with a dog, the tragedy of a dog-napping. Saskia spoke of eyes as good as the soul and practiced her Dutch and French accents. Thérèse took a Crabe avec les yeux tristes back to the seaside and a raconté l’histoire d’un chat qui s’appele Squirrel. Xander, wounded & half free, parted the tall dense weeds. Giéno dit que les oiseaux chantent dans son court. Elena was a Eudina girl living in Paris, where beauty trumps convenience every time. She aksed what was the proper attire for a punctured foot? a zombie by Monday morning. Leemore says you taste of sea salt, of the spray and splash of breaking rocks. Gave us a forgotten image of a girl, fingernails coated with soil.
Thanks for the photo and poems Christopher! and thanks to all others who came and read or supported us by being part of the night, not least Maxx, back in from Old London Town and Jaime with the faux-zebra skin bag in honour of the theme.

Rufo sends greetings & says:
In case you’re interested my “everything I had to eat or drink in a week” piece has been published by an online journal in the US. Along with another food poem inspired by the Spoken Word evening.
You can find it at
http://www.elimae.com/
then go under “New” then it’s under my name.

Joan Brady sent us her Mouse Story from San Francisco:

I knew this woman once. She had a boa constrictor. I remember how she kept these live mice that she would feed it. Not every day though. Boa constrictors don’t eat every day. At least that’s what she said…Last time I saw her, it was maybe a year ago…I was with these people at her house and we were all drinking wine and smoking and talking and somehow she decided it was time to feet the boa so she went and she put this mouse inits cage and we all just stopped what we were doing and sat there and watched…At first nothing happened. The mouse, it just huddled over andkept real still…like it was frozen…and the boa, for awhile it acted as if therewas nothing there. Then all of a sudden it turned and in this one movement it took the whole mouse into its mouth, so that only the tail was left hangingout and then these muscular swallowing contractions started up and slowly,the mouse’s tail began to disappear. When it was over, you could see this enlarged place inside the boa where the mouse was. Even now, when I think about it, I, it keeps coming back to me about how it was all so totally silent. From beginning to end, there was no sound, nothing…After it was over, we all talked about how we felt watching. You know, I was the only one in the room who identified with the mouse. The only god damn one.

— J. R. Brady, San Francisco
She says: Piece was published last year in North Coast Literary Review. When I read it in the cafe’s here there are mixed reactions. It tends to make some folks uncomfortable.

I read this, among other things: (loosely based on family history)

birds on the fells

he threw out and spun a lure
to a cast of hawks across the sky
off-hand said
‘see! this cascading stream in the fells is my grandfather
dead now
but listen!
he told his jokes
always with a straight face
yet now he chuckles
content that his words are for the wind
ceaselessly
My mother sang here as a girl
her voice bright, soaking up the lakewater
It snowed when she was born
and grandad walked all night
She taught me the storytelling of rooks
and their clamour caught on my father’s tape recorder
The last rout of wolves laired about here
hunting the husks of hares
before the hoary old one, huge as a bear
was slain on the headland past Cartmel
That kettle of hawks you see
is seeking the hoard of mice in this scree
but it’s the owls that get them,
calling to each other in late night sittings,
the parliament of owls.’

Next SpokenWord is 5th January. And the theme? Clothes/les vêtements.
Merry Christmas & joyeux Noel!
David

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SpokenWord needs you!

Please help us continue by downloading the bilingual poster and putting it up in a university, bookshop, student accomodation building, cafe, etc!
Just click on the miniature poster, top right of this page.

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Food & drink: report from 1st December

That’s Martin Neaga on cello. Later Betty Rojas improvised on a large box instrument whose name escapes me while I did Unspoken Words.
Sarah was in Berlin for Baader Meinhof days. Scott was on Quality Street. Soon you’ll be able to see him from space. Maria performed extracts of Burns’ Tam O’Shanter. Rufo listed everything he’s eaten and drunk all week. Thanks to Marianela and everyone else who did stuff too.
Some other words about food and drink, especially jam.
In Lewis Carroll’s Through the Looking Glass and What Alice Found There, the White Queen, seeking to hire Alice, offers her ‘jam to-morrow’:
‘I’m sure I’ll take you with pleasure!’ the Queen said. ‘Twopence a week, and jam every other day.’
Alice couldn’t help laughing, as she said, ‘I don’t want you to hire ME – and I don’t care for jam.’
‘It’s very good jam,’ said the Queen.
‘Well, I don’t want any TO-DAY, at any rate.’
‘You couldn’t have it if you DID want it,’ the Queen said. ‘The rule is, jam to-morrow and jam yesterday – but never jam to-day.’
‘It MUST come sometimes to “jam to-day,”‘ Alice objected.
‘No, it can’t,’ said the Queen. ‘It’s jam every OTHER day: to-day isn’t any OTHER day, you know.’
.
Edward Lear’s The Jumblies (extract):
.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
.
Next Spoken Word: “Animals” 15th Dec
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