2013: I’m resurrecting themes for SpokenWord

Yep, they’re back. By popular demand. Each Monday night at SpokenWord in 2013 will have a theme. Think of it as in invitation to bring a poem, song, story, etc with some kind of even remotely tangential link to that night’s theme. Though off-theme stuff will still be welcome. And I can reveal the themes for January, which will be:

Jan 7th – Dr Seuss
Jan 14th – Teenage poetry (especially your own!)
Jan 21st – Satori in Paris
Jan 28th – Pirates

Thought of a good theme? Let me know at db1066 AT gmail DOT com
Cheers,
David

Green eggs and ham

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Call for submissions to SpokenWord’s magazine!

TheBastillecoversnipWe’re looking for submissions of poetry and prose for The Bastille – the Literary Magazine of SpokenWord Paris.

Deadline: March 7th 2013

Submission Guidelines:

The Bastille is an upstart literary magazine created from the anglo writing scene in Paris. It is a platform for poetry, satire, flash fiction, novel excerpts and short stories. Our editorial staff is eclectic, to say the least, so our tastes run wide and deep.

For your best chance at being pulled from the pile and printed on our pages, send us a single .doc (not .docx) or .rtf document and choose examples of your work that are sharp, tight, as strong as whisky, darkly visionary, caustically witty, perhaps even tormented to the point of being tormenting. Contributions from writers who have actively participated at SpokenWord Paris events will be favoured although we welcome submissions from far and wide.

  • Submit up to three unpublished poems up to 40 lines each
  • Flash fiction, short stories, novel excerpts, and serialized stories up to 3,000 words
  • Please include a 50 word bio with all submissions
  • Send all submissions in a SINGLE .DOC or .RTF document to themag.paris AT gmail DOT com Please – not .docx!!
  • Simultaneous submissions fine, but we don’t publish stuff that has already been published so tell us a.s.a.p. if your work is accepted elsewhere.
  • The Bastille is currently only available as a printed magazine, not online.
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Manifesto No.9

SpokenWord: A beatnik poetry night for 21st century Paris

Howl if you like Allen Ginsberg.

Welcome to SpokenWord!
What is SpokenWord?
It’s a cabaret for 21st Century bohemians!
An underground for neo-beatniks!
A node in the matrix of the ever evolving counter-culture!
SpokenWord is for those who reject success, money, fame… because they want something better!
For those who live for art, poetry, books, the road, love, sex, and intensely lived experience!
For those who want to step out of the workaday world, step out of the 21st Century and too-late capitalism, and step into the million possible other worlds!
Clear a space in the attic of your mind.
SpokenWord is about connecting with yourself, to share what you find with others, to create in the between something intangible that could not exist otherwise!

Poetry is the excuse. Sharing souls is the programme.
Tune in. Turn on. And evolve in a shower of poetics.

Stay tuned. More next week on 7th January au Chat Noir.

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Back in the day… a review of SpokenWord when we were in Belleville

Culture Rapide

Lili Snyder reviewed SpokenWord here.

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Much Ado About Nothing

Beth Jervis is playing a bunch of roles in a theatre production of “Much About Nothing” – co-production of compagnie lynx and new open space. She writes –
I thought this might interest Spoken Worders – We are playing in the Théatre de Nesle in the 6th from the 18th January till the end of March, every Friday and Saturday at 7.15pm…
flyer

Much Ado about Nothing (“Beaucoup de Bruit pour Rien”) de William
Shakespeare. Bénédict et son ami aristo Claudio reviennent de la guerre et sont
accueillis par Léonato, gouverneur de Messina. Béatrice retrouve Benedict: ce sont de
vielles connaissances qui s’échangent des moqueries brillantes. Claudio tombe
amoureux de Héro fille de Léonato et leur marriage s’organise. Par manière de
plaisanterie, leurs amis complotent pour faire tomber Béatrice et Bénédict amoureux.
Mais Claudio, persuadé par son frère Don Juan que sa promise lui est infidèle,
l’humilie publiquement à la céremonie de noces. Heureusement la maréchaussée locale
appréhende les complices de Don Juan et l’innocence de Hero soit prouvée, et dans la
scène finale les deux couples d’amoureux sont réunis.

Much Ado about Nothing (“Beaucoup de Bruit pour Rien”) by William Shakespeare.
Benedick and his young aristocratic friend Claudio return victoriously from the
war and are greeted by Leonato, governor of Messina, father of Hero and uncle to
Beatrice. Benedick renews his fiery relationship with Beatrice (“They never meet but
there’s a skirmish of wits between them.”), while Claudio falls in love with Hero and
arrangements are made for the wedding. Meanwhile, for their amusement, Benedick
and Beatrice’s friends undertake one of Hercules’ labours: to bring the two love-heretics into “a mountain of affection the one with the other”. The plan works, and they fall in love. But the villain Don John manages to persuade his brother that his fiancée is unfaithful, and on their wedding day Claudio publicly denounces her. Fortunately the local constabulary arrests the conspirators, Hero’s innocence is proved, and in the final scene of the play the two couples are reunited.

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SpokenWord 10th Dec – Pat Cash and company

A request – because, as people have said, it is distracting from the poetry to have a lot of camera clicking going on, I am asking you not to use professional style cameras. Steph takes pictures and is very discrete and if you want to use hers for your personal use, just ask her. She posts them on the facebook page. If you want to film your mate on your i-phone as they read or take one or two pictures discretely, feel welcome. But no professional-type cameras clicking away please.

1
Some thoughts –

SpokenWord Paris is a place to speak our truths, to sing our visions, to glimpse each others’ hidden worlds. Born the bastard son of Jack Kerouac, Patti Smith, Arthur Rimbaud and Dr Seuss, SpokenWord Paris first drew breath in the cellars of The Lizard Lounge in 2006, a dream sprung from my dreaming brain. Since then I’ve nurtured it to become the community it is today. When I arrived in Paris there was simply nothing like it going on. No English open mic nights. So now it’s 6 years old and is the place where people come to speak the words in tongues of fire that lick the ear or in the stumbling naivete we all pass through when we first write poetry. It’s a creative home that opens its doors to all, in the hope that you will cast off the work clothes of your mind and allow yourself to be vulnerable and be moved. And that then in turn you will be moved to speak with your unique voice and will move us all.

SpokenWord Paris is not about ego, or getting published – though our magazine is on sale at the back – or climbing some ladder of spurious success. It is not a rat race for poets. It is a place where we can all be our strange selves and find, for one evening, home.

Cheers all,
David

And now on to the report from 10th Dec!

Pat Cash & Company

Pat Cash & Company

Destined to produce dust (Evan)
autumn chides the skin with sudden cold (David)
Pablo Neruda forgets me (Jane)
lost in Victor’s history of chanson, part V

Dear SpokenWord,
if only I could have half as much sex as Pat Cash!
Or Victor!
(Thomas)

Float my words upon the surface like an oil slick (Gabriel)
Paris is for strangers and fractured romantics
while London burns (Pat Cash)

...

les mecs

les mecs

Here comes the rain again (Amel, Tania)
as love freezes over in the autumn (Colin)
and glossy paper that holds a thousand thumb prints (Anita)

but then –
as grandmother’s eyes drink me in (Lidia)
I am the word that reading eyes read (Lexi)
in the natural spectacle of a boxer falling backwards (Alberto)

Bruce:
No matter how hard you try, books won’t fade to black
Poetry is for the not-so-straight shooters

Lexi

Lexi

And we heard from Betsy Ma’s novel and about Anita’s bank robber father, who was arrested when she was 3 weeks old, got out of prison when she was 12, died when she was 13.

For Victor’s info about the chanson songs, including youtube clips, check out his post on the facebook page.

...

stairs

yep

stairs 2

the magazine on sale

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Ambjorn invites you to a play reading

AmbjornAmbjorn writes:

The reason to read a play out loud and in company, I think, is that plays come alive when the dialogue is, well, dialogue. Without people actually talking to each other, the thing that’s special about the theatre gets lost. I’m gathering a group of people this Saturday the 15th December 2012 to play around with a theatre script so that it lives a bit.

The piece is called A Map of the World, an early work by the eminent British playwright David Hare. It’s a drama with big themes, strong relationships, and enjoyable language that should be easy to get our mouths around.

Where and when:
11h to about 16h this Saturday 15 December 2012.
The American University of Paris’ Bosquet building in the 7th arrondissment
Write me (Ambjörn) at playreading@gmx.com to RSVP and for the exact address

Sight-reading a script is a specific skill, so before we dive into David Hare’s writing, I’ll teach those of you without a background in the theatre the technique I learned as a drama student. It should make the reading easier for you to do and clarify the action between characters for easy listening.

Then we’ll pick up the script. I’ll assign roles more or less at random to start with. We can pause at big scene shifts to talk about what’s going on in the play and switch around roles. Eventually, you might get enough of a sense, at least of the main characters, to say that you want to have a go at reading someone or hearing someone else read a role.

I’ll do a bit of baking and maybe bring some other simple snacks.

This should be fun. We already have a small crowd to make a lively event.

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Report from Spoken Word Paris December 3 2012

Report by Alberto. Pictures by Stephanie Hoffmann (Check out the Whole Album)FEATURED POET and Writer, Rapper, Lecturer, Boxing Champion of Writers get Violent, Founder Of The Series Unstrung Letters, Midnight Storyteller: Georgina Emerson.

giorgina's boxers.jepg

Tom scares the audience: I’m a gargoyle from Manchester. Kirby goes with: Shake The Dust by Anis Mojgani. Jason keeps translating the untranslatable Romanian poet. Pat Cash is single. Good to know. “You can’t blame your one night stand / for being your one night stand / But when you’re very drunk you can.” “David called his mother: Mama, she’s the one.” We don’t know what his mother said. Debra dedicated to Uncle Superman Fly. Kate in Paris, Kate in South Africa. Savannah disappeared, we don’t know where. Special Celebration: Georgina is leaving and to honour one of our most beloved athlete we retire her legendary panties, hanging forever in the Chat Noir/Spoken Word Hall of Fame. Round Two. Sam: Fuckin Human Beings. Ok. Jonathan introducing Obsidivism. Louisa reads her poem “Christmas” featured in the Bastille: “Cats fucking interrupt our mourning.”. Victor’s History of French Popular Music. John Lennon: “French rock is like English wine: it doesn’t exist.” Kia fixing her banjo. Dan song about a thunderstorm in the Alps. Thomas’ outing: I’m celibataire. Verb. Poetry. I poetry reverberate.

Round Three. Strangely is back with his accordeon: History of American Popular Music. Jayne encouraging crazy artists. Kya playing her banjo (Finally Amazing!) Alex The Dreamsailor: sad happy song about S. Francisco oooooh oooooooh! The Ella & Kajsa Scandinavian Accappella Duo singing: “Var Inte Radd For Morkret”. Scandinavian Ambjorn reading Robert Frost and introducing his play reading. Alex Manthei sharing German Poet Monica Rinck’s Pond. To re-read it: Click Here. Helen (from Ireland) the Angry Lutemaker is back! Helen (from France) featuring Georgina for the new french improvised dictionary. Farewell Georgina. Thanks you for two years of Mondays! For all the others see you next Monday.

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Pat Cash is the featured poet this Monday 10th Dec

Pat Cash

Ode to a One Night Stand

you can’t blame your one night stand
for being a one night stand
but sometimes, when you’re really hungover, you can

’cause your one night stand is your anti-lover
your anti-romanticism
they ain’t gonna sit under a willow by the river
draw you pictures and
play you lutes, and make you dream no other

hey one-night stand, I don’t mean to be a cunt
but can you, like, grab your coat, up and run
I’ve got things to do and the small talk’s grating
I’ve made you your coffee,
now the day’s on its way and the metro’s waiting

you were mad beautiful last night, one-night stand
you had dazzles like amethysts in your eyes
you were Paris with the goddesses,
you were the secret chord in Hallelujah
that David played and it pleased the Lord
and your touch it sparkled in my mind
as your lips pulsed and sparked and met mine

but in the morning’s light hour, those lips are puffy
you’ve got eyes like bloodshot flowers
and you’re showing me Youtube videos of Lindsay Lohan
flashing her gash and falling out of cabs
so, to paraphrase Douglas Adams,
so long and thanks for all the crabs

one-night stand, I wanna use the bathroom
I wanna shower you off me
brush your taste from my mouth

and I know I’m being selfish shameless fake
too angry at you for being my own mistake
and in fact one-night stand maybe the sex was great
but sometimes it’s anti-climactic
clumsy and drunk and full of fleeting madness
and I think of old lovers in the final throes
to get me off pretending you’re my own

you want my number, one-night stand?
I’ll give you my number
ten pints of Stella and a shot of sambuca
that’s my number, one-night stand
a number I never intend to repeat twice
until maybe next Friday night

because one-night stand, you’re not real
you’re a silhouette, a sliver of silver
phantom in a taxi, on a nightbus in Hackney
all your lips and your limbs are lonely
true, once I wanted to be that Casanova
all sex and drugs and sex moreover
the incubus with the devil’s strut
but sometimes I guess you grow up

and one-night stand, I –

oh.

actually, one-night stand, you
I quite like your tattoo
I trace my fingertip over its ink rune
and, you know what, your head feels quite nice
leaning on my breast,
listening to the beat of my chest
and we’re pillow talking about nothing at all
but I might be able to go on talking about nothing
for a while with you before I fall
cause for some reason you’re making me smile
and I ain’t smiled about nothing for a while

you know, one night-stand before you go
do you want breakfast, maybe some toast?
and actually one-night stand, look –
can I perhaps add you on Facebook?
yes? yes!
I mean, uh-huh, cool, whatever
and one-night stand before you’re out the door
maybe I could stand you for one night more

though just one last thing, one-night stand:
what’s your name again?

Bio:
Pat was born in Bristol, lived in London for the majority of his studies and is now on the verge of leaving Paris for Berlin, after having lived also in Philadelphia, New York and Santorini in Greece. He has performed at the Oxford Literature Festival, the Albion Beatnik Bookstore, Landed Festival in the Welsh mountains, Shakespeare & Co and, of course, Spoken Word Paris, where he primarily developed his voice and style of poetry. He is currently coming to the end of a three month ‘writer-in-residency’, or Tumbleweeding, at Shakespeare & Company, and is working on a novel alongside his poetry.

Cheers all,
David

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Report from the launch of The Bastille no.1

TheBastillecoversnipThe Bastille was stormed last night in chaotic and bloody scenes, the King and Queen executed using a cheese grater. Even Alberto, who orchestrated turning hundred-strong Chat Noir crowd into a rabble, did not escape.

Alberto

Helen

Copies of The Bastille are on sale though – for just 10 euros – featuring such writers and poets as were heard last night. All the folowing who read last night are in the magazine: the priapic Pat Cash, the tatooed Kate Noakes, the hermaphroditic James Thompson, Bibi, Emily, the far-and-whee Mandoline, the jazzy-Charlie-Parkering Antonia, the spitting and driven Jason, the bug-bitten Pablo, Helen (who is on the cover of The Bastille) and Mr Fuckoffville himself – Alberto. To read more by them get a copy at the next SpokenWord or email me, David, on db1066 at gmail.com.

Georgina

But that was only the half of it!

We also had Freejazz dance and poetics from Pearlann, Riva and Anna of The Pillow Project. The second part of Victor’s musical lesson on postwar French chanson. More of Betsy Ma’s forthcoming novel. And much, much more.

Pearlann

Riva & Anna

Pat Cash

Anna

Thanks to all who came. See you next week! Report by David. Photos by Stef.

me

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